Challenge for Change / Société Nouvelle: Documents in Participatory Democracy

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Logo of the documentary program 'Challenge for Change / Société nouvelle', National Film Board of Canada , 1967-1980 © Courtesy of the National Film Board of Canada
Challenge for Change / Société Nouvelle: Documents in Participatory Democracy

1286 Bloor Street West
M6H 1N9 Toronto
March 13th, 2015 - April 25th, 2015
Opening: March 13th, 2015 7:00 PM - 9:00 PM

Bloordale Village / The Junction
Tue-Sat 11-6


Between 1967 and 1980 the National Film Board of Canada (NFB) spearheaded a social activist documentary initiative placing film skills into the hands of the people to tackle poverty, environmental, first nations and women’s issues. Government bureaucrats, documentary filmmakers, community activists and citizens defined a participatory model of filmmaking by putting the media into the ‘hands of the people.’ Positing the potential of a new public voice, film was asserted as the medium of social transformation. Artist Jacqueline Hoang Nguyen has excavated the archives of the NFB, re-presenting the seminal Challenge for Change/Société nouvelle (CFC/SN) program in five selected programs displayed within the gallery. Nguyen re-inserts this utopian project into the present, employing the archive as a toolbox for the future.

Jacqueline Hoang Nguyen (b. Montréal, CA) is a research-based artist currently based in Stockholm (SE). In 2011 she completed the Whitney Independent Study Program, having obtained her MFA and a post-graduate diploma in Critical Studies from the Malmö Art Academy, Sweden, in 2005, and a BFA from Concordia University, Montreal, in 2003. Recent solo exhibitions include; The New Gallery, Calgary (2015), MAI (Montréal, arts interculturels), Montreal (2014), Momenta Art, Brooklyn (2014); Kunstverein Braunschweig, Braunschweig, Germany (2013); VOX: Centre de l’image contemporaine, Montreal (2012) and group exhibitions such as MTL BNL, Montreal; A Space, Toronto (both 2014), Apexart, New York; PAVED arts, Saskatoon; Or Gallery, Vancouver (all 2013), and the Institute of Contemporary Art, Philadelphia (2011). In 2011 she was commissioned by CC Seven to produce a site-specific sound piece for The Woodland Cemetery, a UNESCO World Heritage site in Stockholm.

We would like to acknowledge the National Film Board of Canada for producing and distributing the CFC/SN program.

Presented in collaboration with Images Festival