Collected Voices: Contemporary Native Art

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Pod II, 2010 Ceramic, Reed, And String 22 X 27 X 45 Inches © Courtesy of the Artist and Chiaroscuro Contemporary Art (Main Space)
Water Taxi Beach with Kite, 2010 Oil On Canvas 51 1/2 X 51 /12 Inches © Courtesy of the Artist and Chiaroscuro Contemporary Art (Main Space)
Seven Sisters, 2009 Oil On Panel 32 X 64 Inches © Courtesy of the Artist and Chiaroscuro Contemporary Art (Main Space)
Collected Voices: Contemporary Native Art

558 Canyon Road
Santa Fe, NM 87501
August 20th, 2010 - September 10th, 2010
Opening: August 20th, 2010 5:00 PM - 7:00 PM

Tue-Sat 10-5, or by appointment
contemporary, Native Art, Native American, ceramic, glass, works on paper painting


Collected Voices: Contemporary Native Art

August 20 - September 10, 2010


Sante Fe, NM- Chiaroscuro Contemporary Art presents: Collected Voices: Contemporary Native Art from August 20 - September 10, 2010. The opening reception for this exhibition is Friday, August 20, from 5 - 7pm.


This year, Chiaroscuro's annual Indian Market show, Collected Voices: Contemporary Native Art, features the work of eight contemporary Native artists. Collected Voices showcases the talents and visions of this extraordinary group of artists as a dialogue between the generations and between the diverse mediums of painting, ceramic, glass, and works on paper. Each artist brings his or her unique aesthetic to the powerful themes of identity, place, and changing traditions.


Collected Voices  features seven gallery artists and one new artist, Joe Feddersen, represented by Froelick Gallery in Portland, Oregon. In addition to the late Harry Fonseca, the returning artists include, Rick Bartow, Yatika Starr Fields, Lisa Holt and Harlan Reano, Rose B. Simpson, and Kay Walkingstick.


Other younger artists include Lisa Holt (Cochiti Pueblo) and Harlan Reano (Santa Domingo Pueblo) who collaborate on traditional vessel forms in painted ceramic. Holt, niece of famous ceramic sculptor and fashion designer Virgil Ortiz, creates the vessel forms. Reano paints her ceramics with decorative motifs that elaborate on traditional designs with audacious innovations. The eye-catching pieces included in Collected Voices extend their innovative approach to include the form of the pottery itself. Here, the theme is animal forms, a Cochiti tradition. Reano's work sometimes incorporates Santo Domingo Pueblo motifs but frequently employs his own original designs. The showpiece for this exhibition is a serpent figure, painted in the artist's bold style, a fusion of hybrid forms that is snake-like, insect-like, and oddly human.


New to Chiaroscuro this year is veteran artist Joe Feddersen (Colville). Feddersen employs blown and mirrored glass, fused glass and copper, as well as a variety of printmaking techniques to bring a minimalist aesthetic to his diverse body of work. Fedderson, whose work was included in a solo exhibition at the Smithsonian's National Museum of the American Indian in 2003, translates traditional symbolic forms into a contemporary idiom. His most recent exhibition, called Codex, was a series of glass basket forms that referenced the regional, historic basketry of the Colville tribes. Feddersen brings other examples of his Native basket inspired glass, decorated with geometric patterns that recall the symbolic language of the Colville, to Collected Voices.


Fedderson, along with gallery artist Rick Bartow (Wiyot), represent an older generation of artists. Themes of transformation or metamorphosis are rife within Bartow's work. Defying more conventional, even trite, depictions of peace and harmony between Native Americans and the animal world, Bartow's works on paper are violent, schizophrenic and nightmarish. Adding to the unease of his quasi-human/animal portraits are the pastel colors he uses to render them: pinks, light greens, and purples. The contrasting darks and lights suggest violent transformation, a struggle against change. Bartow taps into a raw, emotional vein of ferocious hunger, and of raging, animal instinct.


Chiaroscuro, which represents the Harry Fonseca (Maidu) estate, is proud to once again show some of the late artist's paintings. A highlight of the Fonseca's work in Collected Voices is a painting from a series on Saint Francis of Assisi he did in the 1990s. More from this series can be seen in In the Silence of Dusk, a current exhibit of Fonseca's work at the Museum of Indian Art and Culture.


Rose B. Simpson (Santa Clara Pueblo) is among the most talented young artists working today. From her visceral self-portraits that grapple with themes of personal transformation and identity, to ideas that broach more global concerns, her work is expressive, emotional, and diverse. Simpson, a former vocalist for the band Chocolate Helicopter, is now a master's candidate at Rhode Island School of Design.