Expressions Gallery

Venue  |  Exhibitions
Rainbow Hair, 2008 Watercolor On Canvasboard 14 In Wide, X 11 In High © Expressions Gallery
And the Band Played On, 2010 Freehand Digital Print 15" X 12" © all rights reserved
© Expressions Gallery
Bar Fly IV, 2010 Watercolor On Canvasboard 11 In W X 14 In H © yes
Expressions Gallery
2035 Ashby Avenue
Berkeley, CA 94703
Venue Type: Gallery
June 2nd - September 7th
Summer Jazz
Lahcen Abalil, Miriam Abramowitsch, Daniel Altman, Yvonne Brady, Carol Jones Brown, Aaron Carter, Vanessa Catro, Carol Denney, Anna Hui Dong, Marge Essel, Debbie Fimrite, Rinna B. Flohr, Jim Forgione, Sue Mary Fox, Talia Frank, Gwendolyn Gardner, Rohilah Guy, Heli, Stan Huncilman, Diane Jacobson, Ann jasperson, Minal Jeswani, Richard Kane, Rubina Kazi, Connie Kirk, Coral Lambert, Jennifer Wallace Mack, Noel Marsh, Emmett McGuiston, David Mintim, Joanie Mitchell, Maj-Britt Mobrand, Julia Montrond, Rose Moore, Narcisse, Malcolm Nicoll, Perrett, Jo-Anna Pippen, Winthrop Prince, Ernest & Lois Rich, Charlene Richter, YURIK RIEGEL, Selma Rockett, Judith Rohrer, Genevieve Saldanha, Sumiko Saulson, Rita Sklar, Arlene Risi Streich, Matthew Felix Sun, Lynda Sussman, Nga Trinh, Carol Witten, Lisa Yount
Rinna Flohr
Open hours
Wednesday thru Saturday, 12-5 pm. and Sunday Noon-3pm & by app't.
(510) 644-4930
Gallery type

The gallery offers fine art from established local and international artists but also is a place that supports and encourages artistic talent development. Some newcomers to the arts will always have a chance to display some of their work.

New forms of art will also be featured and hopefully trigger discussion about the arts as we know it and the arts future direction. One such artist, Paul Higham, who was included in the first show, And All That Jazz, comes to California from New Orleans He relocated here temporarily at the Headlands Art Center, on a scholarship supported by the Artists Alliance and funded by the Irvine Foundation that enables a small group of artists selected out of a much larger group, who were wiped out in hurricane Katrina, to continue their work. He does what he calls translation modeling, a method he developed for creating sculpture and wall art from the GPS waves, or the Dow Jones, or any immediate on-going data flow that can be followed on a computer. This data is converted into sculpture or images on paper or moving images on a screen that are virtually alive. Paul’s view is that conceptual art captured by the still camera invented in the 1880’s is dead and this literally, is the wave of the future. Paul teaches about the history of art and it’s future as a university professor. Trained at one of the finest schools in the world, the Goldsmith’s, in London, Paul offers us a glimpse into the future, as he gives us a picture of our world outside of our vision in which we live everyday. He makes the invisible, visible and interprets it into art.