yerba buena gallery artwalk and closing for "in bloom"; the first fivepoints biennial show
THIS SATURDAY!!: 10-24-09
CLOSING RECEPTION OF OUT FIRST BIENNIAL SHOW "IN BLOOM"
IN CONJUNCTION WITH THE YERBA BUENA GALLERY ARTWALK
FIVEPOINTS ARTHOUSE is thrilled to be a part of this years' "Yerba Buena Gallery Artwalk". On Saturday, October 24th, FIVEPOINTS, along with several other galleries in the vacinity, will be hosting an all day affair. Complete with a BBQ, LIVE MUSIC from the American Standard, and even prizes for attendees of mulitple venues!! More info can be found at: YerbaBuena.org/GalleryWalk
111 Minna Street Gallery ( 111 Minna Street , 415/974/1719, www.111minnagallery.com)
871 Fine Arts ( 20 Hawthorne Street , 415/543-5155) Baer Ridgway ( 172 Minna Street , 415/777-1366, www.baerridgway.com)
Catharine Clark Gallery ( 150 Minna Street , 415/399-1439, www.cclarkgallery.com)
Chandler Fine Art ( 170 Minna Street , 415/546-1113, www.chandlersf.com)
Crown Point Press ( 20 Hawthorne Street , 415/974-6273, www.crownpoint.com)
Fivepoints Arthouse ( 72 Tehama Street , 415/989-1166, www.fivepointsarthouse.com)
Modernism ( 685 Market Street, Suite 290 , 415/541-0461, www.modernisminc.com)
Rayko Photo Center ( 428 Third Street , 415/495-3773, www.raykophoto.com)
Sculpturesite ( 201 Third Street, Suite 102 , 415/495-6400, www.sculpturesite.com)
SF Camerawork (657 Mission Street, 2nd floor, 415/512-2020, www.sfcamerawork.org)
Varnish Fine Art (77 Natoma Street, 415/222-6131, www.varnishfineart.com)
Visual Aid (116 New Montgomery, Suite 640, 415/777-8242, www.visualaid.org)
UC Berkeley Extension Art and Design Center Gallery (95 Third Street, 415/284-1081, www.extension.berkeley.edu/art/gallery.html)
Fivepoints Arthouse is very proud to announce its first biennial show, In Bloom. A group show exhibiting the newest work has been assembled from the best artists displayed from the 40 exhibitions since September 2007.
closing: Saturday October 24, 2009 from 2-11pm.
Winston Smith is armed with razor blade and a fiendish wit and has been known to kidnap "innocent" images from the pages of vintage magazines. Then-diabolically glue them into compromising or politically revealing positions in his surreal collage landscapes since the 70's.
Erik Parra makes collage, drawings and paintings that explore systems of communication and transportation as vehicles of physical and social mobility. By combining established formal pictorialvocabularies, he creates pictures in which the nature of modern mobility is presented as a duplicitous narrative of success and failure.
Ben Johnston paints abstract, figurative oil paintings that draw from personal narrative. Johnston is concerned with representing a visual, emotional experience based on the notion of rhythmic tension.
Jamie Spinello creates imaginary systems of transformation, where shapes are allowed to grow and assume new manifestations out of transparent and opaque materials like plastic, mylar, and paper.
Jessica Laurent aims to blur the lines between past and present, function and non-function, the masculine and the feminine, while exploring the grey area between these apparent dualities.
Ben Venom draws on his dirty southern roots to create stunningartwork that draws on politics, racing and heavy metal. The hand stitched flags and banners reference issues of strife and rebellion in response to the Civil War or commonly labeled War of Northern Aggression.
Josh Barone is looking for anything not made from plastic, despite everything being covered with humidity damped cellophane. He fights for your freedoms and your right to passion as the head of The Company.
Rachel Hornaday makes choices throughout the art process which reflect her observations of the world. Playing in the woods as a child, a sensitivity to color, patterns and variation in nature developed. Her artis a way to recover memory, decoding patterns and colors to explorevariation with in the artist and in nature.
Luke Butler toys with contemporary mythology and suspects that ubiquitous, overpowering figures like the Presidents of the United States must also be little human men, petty and fragile characters whose preoccupations could look a lot like his, and maybe even yours.