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Talking Art: Talking Tech with Amy Ellingson

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Variation: Artifacts (detail), 2014 Cast Encaustic, Approximately 1500 Individual Pieces Dimensions Variable © Courtesy of the Artist and Eli Ridgway | Contemporary Art
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Cartas I-VI, 2014 Oil on Linen on Shaped Panel 27 X 20.75” Each © Courtesy of the Artist and Eli Ridgway
Talking Art: Talking Tech with Amy Ellingson

560 South First Street
San Jose, CA 95113
June 26th, 2014 7:00 PM - 9:00 PM

QUICK FACTS
EVENT TYPE:  
Artist talk
WEBSITE:  
http://www.sjica.org/
NEIGHBORHOOD:  
Peninsula/South Bay
EMAIL:  
sarah@sjica.org
PHONE:  
408.283.8155
OPEN HOURS:  
Tue-Fri 10-5; Sat 12-5; Closed Sun-Mon
TAGS:  
painting, technology, modern, sculpture
COST:  
$5 Members, $10 Non-Members; Students FREE; Pay at the door; Lite apps and no-host bar

DESCRIPTION

Join the ICA and artist Amy Ellingson as she explains the process that went into developing and creating her solo-exhibition ’Amy Ellingson: Iterations & Assertions’.

This solo exhibition will focus on a large-scale diptych by Amy Ellingson, a site-specific 40-foot long mural, and a three-dimensional sculptural translation of the diptych. Based in San Francisco, Ellingson’s complicated process involves borrowing, distorting, manipulating and re-contextualizing simple, basic forms in order to create a complex field of information. Ellingson states of her work: "My interests lie in the practices of formal repetition, variation and mutation within limited serial networks."

Ellingson’s paintings and works on paper explore the dichotomy between the lightning-fast process of digital technology and the more labor-intensive method of traditional painting and drawing. All of her paintings are initially created on a computer. She begins with a vocabulary of fundamental forms, which she then digitally manipulates and distorts to create complex fields of painted imagery. Currently, she has begun to experiment with ideas that expand her methodologies, introducing elements and processes that are more unexpected, uncontrolled, and not exclusively pre-determined by digital sketches, resulting in a more fluid, back-and-forth process between digital and traditional renderings.