FFDG is pleased to present Los Angeles based painter Sylvia Ji in her first solo show with FFDG entitled “Interwoven” featuring new acrylic paintings on wood inspired by Mexican textile and female figurative elements. A limited edition print will be released at the opening and Sylvia will be present for signing. An opening reception is scheduled for Friday, July 12th (7-10pm). Beer and wine will be available. The show runs through August 10th.
For Sylvia Ji’s new collection she’s continued on her Day of the Dead narrative frequent in her paintings, while also expanding and incorporating traditional folk patterns in an effort to weave together the old and the new. These works are shaped by the illustrative aesthetic of mexican textiles, the intricate ornamentation of pottery and tile work, and a sensitivity to bold colors and harmonious symmetry. All works are acrylic on wood panels, evoking the fluid and organic elements represented to the viewer.
Ji's work encapsulates an alluring beauty that is both cutting edge and a nod to time-honored technique. Her paintings are symbolic reflections of herself, portraits of people she knows or nameless faces set in a landscape of fleeting and decaying beauty. Possessing an artistic voice as unique as the times we live in, Ji is at once contemplative, spiritual, enigmatic, and yet whimsically funny. Above all else, it is perhaps beauty that emerges as her defining characteristic, and her art reflects this: an extension of herself; a passionate appreciation of simple aesthetic pleasure fused with intimately complex subject matter.
Sylvia Ji was born in 1982, and raised in San Francisco, California, where she received her BFA at the Academy of Art University. Upon graduation, she relocated to Los Angeles in 2005 where she currently resides. Ji's work has been featured in numerous gallery exhibitions including White Walls, Thinkspace, Lineage Gallery, BLVD Gallery, and Art Basel's Art Fair Now. She has been profiled in publications such as Juxtapoz, Trace, and Mesh Magazine, and her painting 'Dona Dolorosa' graced the cover of the LA Weekly.