Rydell Visual Arts Fellows

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Safety in Numbers , 2011 Oil On Wood Panel
Rydell Visual Arts Fellows
Curated by: Susan Hillhouse

1220 Linda Mar Blvd.
Pacifica, CA 94044
June 1st, 2012 - July 1st, 2012
Opening: June 1st, 2012 7:00 PM - 9:00 PM

Peninsula/South Bay
Friday, Saturday, Sunday 1-5 pm
photography, mixed-media, digital, modern, traditional


Rydell Visual Arts Fellows:

Andrea Borsuk, Tim Craighead, Victoria May, and Andy Ruble


Sanchez Art Center is proud to host a Main Gallery exhibition by 2010 and 2011 Rydell Fellowship award winners Andrea Borsuk, Tim Craighead, Victoria May, and Andy Ruble. The exhibit opens on Friday, June 1 with a reception for the artists from 7 to 9 pm, and extends through Sunday, July 1. Exhibition curator Susan Hillhouse, Curator of Exhibitions and Collections at the Museum of Art & History in Santa Cruz, will give a talk, along with artist Andy Ruble, on closing day, July 1, at 4 p.m.


The Rydell Visual Arts Fund was created by Roy and Frances Rydell to promote Santa Cruz County artists and arts organizations. Eligible artists are nominated by regional visual arts organizations, and final selection is made based on artistic merit by a panel of arts professionals from outside the Santa Cruz area.


Andrea Borsuk teases out the most delicate of nuances with her small,. sometimes cookie-cutter women’s figures and her images of jewelry and adornment. She combines these in settings that expose vulnerabilities and hint at powerlessness, such as figures on strings being pulled through the air—not quite puppets, but definitely not in control of their own movement. All of this is set against dark landscapes with sunsets, or against blue sky with piled-up white clouds, pictorial representations that hark back to older European painterly traditions. It’s an amazing mix of elements, and Borsuk uses them to comment on the ways in which women are still downplayed and objectified today, and to invite new narratives from viewers. That she can do so with such grace and humor is a real gift.


Tim Craighead’s abstract monotypes and oil paintings seem to inhabit a symbolic realm that speaks to the nature of being and nonbeing. Some lines and forms overlap, and sometimes in this layering of the “real,” one sees through to another dimension or a more interior environment where the same form also lives. Certain shapes and figures recur, as in the ribbon-like curlicue that resembles (but is not) the lemniscate, the symbol for infinity—or is it a butterfly? A bee? There are also circles, woven spheres, x’s. We may not know exactly what they mean, but these forms quickly become familiar, a language of symbols we relate to warmly and enjoy seeing again and again. In the midst of exploring the structure and mystery of the universe, Craighead has found warm, intimate moments.


Victoria May’s work was featured on KQED’s Spark program in 2009. She explores the tactility of the world, using found objects, fibers and textiles, and even dirt. Like Borsuk’s work, some of her pieces express the dichotomy of strength and vulnerability, the delicate and the structural. Finely tuned textures interact with one another in folds or layers, and like Craighead’s work, there are interstices one can see through. Her work is quiet, yet compelling, so quiet that it almost catches us unawares, yet it manifests the familiarity and the substantiality of all that we depend on in our lives.


Like Craighead, Andy Ruble is interested in structure. His ceramic pieces create enigmas and entirely new spaces for us to consider. The heart of his work is the hybridization of organic and architectural structure. Ruble explores the ways that objects in nature and manmade objects reflect the same natural laws, demonstrating in his work how the analogous structures of both are important to the survival of the whole. In other words, his work can simultaneously convey the beauty of natural arches and the grace of cathedral naves, giving a concrete representation of the interdependence of nature and nurture.


Showing concurrently in the East Gallery is the 20th Annual Art with Elders Exhibit, curated by Brent H. Nettle of Eldergivers, a nonprofit organization whose mission is to connect the generations and to support the ongoing development of seniors, especially those who are in danger of being sidelined and isolated in age-determined residences. The Art with Elders (AWE) program is a response to the problem posed by Picasso when he said, “All children are artists. The problem is remaining an artist when you grow up.” The primary purpose of AWE is to encourage elder artists to take their art seriously and continue to grow and develop as artists. The annual AWE exhibits travel to various Bay Area venues throughout the year. The program offers an opportunity for elders to express the wisdom and emotional truths they have garnered in a lifetime of work, love, and play, and it is our gain to be able to share in this culmination of their artistic skills and human experiences.


In the West Gallery, the Art Guild of Pacifica presents a favorite exhibit called the Buddy Show. Each Art Guild member who participates invites a friend who is not a member to exhibit along with them. It’s a wonderful way to promote the Guild and also to present some new artistic expressions and fresh approaches, while celebrating the importance of friendship.


Sanchez Art Center is located at 1220 Linda Mar Blvd. in Pacifica, California. Gallery hours are Friday, Saturday, and Sunday from 1 to 5 pm during exhibitions. For more information call 650-355-1894 or visit