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Book-ish

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20110917005324-waitzkin
Untitled, Book Series of 13, n.d. Resin and Found Objects 7 × 19 × 6 ½ Inches Gift of the Waitzkin Memorial Library and Kohler Foundation, Inc. © Courtesy of San Jose Museum of Art
Book-ish

110 South Market St.
San Jose, CA 95113
September 25th, 2011 - January 15th, 2012
Opening: September 25th, 2011 11:00 AM - 5:00 PM

QUICK FACTS
WEBSITE:  
http://www.sjmusart.org/
NEIGHBORHOOD:  
Peninsula/South Bay
EMAIL:  
education@sjmusart.org
PHONE:  
408.271.6840
OPEN HOURS:  
Tue-Sun 11-5; Closed Monday, and all Monday holidays
TAGS:  
installation, conceptual

DESCRIPTION

The book as we have known it for centuries is challenged today by the rapid growth of digitization and e-books. This trend raises tough questions about the future of conventional books and the once-beloved printed page. In the midst of such radical change, this exhibition looks at the influence of the book on visual artists. Book-ish includes works from the Museum’s permanent collection that have been inspired by books, literature, language, and the artists’ reverence for reading. 

The physical book—its format, pages, illustrations, and text—was a starting point for a number of the artists whose works are included in Book-ish. Stella Waitzkin is known for her obsessive “library” installations, with which she filled her small apartment in New York’s legendary Chelsea Hotel from floor to ceiling. She cast ornately bound books and stacks of books in resin, as if to arrest them in time and hermetically preserve the knowledge held between their covers. Like cherished memories, her books are hauntingly inaccessible and removed from reality. Lewis deSoto took conceptual inspiration from literature in his series “KLS,” based on Hermann Hesse’s 1919 novella Klingsor’s Last Summer (which deSoto ritually rereads every summer). The artist gave visual form to the author’s compelling verbal descriptions of color by arranging Hesse’s hues in concentric circles that correspond to the order in which the hues are cited in the book. Each of deSoto’s images is an abstract visual manifestation of a chapter in the novella. 

Also included in the exhibition are works by Chester Arnold, Romare Bearden, Enrique Chagoya, and Rupert Garcia, among others.