This Camera Fights Fascism: The Photographs of David Bacon and Francisco Dominguez

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Chualar, CA—20 August 1998—Strikers at D'Arrigo Brothers produce company stop a bus going into the fields carrying strikebreakers early in the morning. The strike came after workers had tried for 22 years to renew the union contract by the United Farm, 1998 © Courtesy of the Artist
This Camera Fights Fascism: The Photographs of David Bacon and Francisco Dominguez
Curated by: Art Hazelwood

500 El Camino Real
Santa Clara, CA 95053-0550
January 14th, 2012 - February 5th, 2012
Opening: January 14th, 2012 11:00 AM - 4:00 PM

Peninsula/South Bay
Tuesday-Sunday, 11am-4pm


David Bacon and Francisco Dominguez have both followed in the tradition of Depression-era photographers such as Dorothea Lange, focusing their cameras on struggle, dissent, immigrants, and workers. Their photographs speak to the global character of contemporary migration. Like the so-called Okies of the Depression, many of today's migrants have been displaced by environmental degradation and wider economic forces.

The title of this exhibition refers to a sign that 1930s folk musician Woody Guthrie often had on his guitar, "This Machine Kills Fascists." These two photographers build a powerful body of visual evidence of the continuing struggle of workers, migrants, and poor people to survive. In this exhibition the photographers responded to images by Dorothea Lange and selected photographs from their own work that draw close connections between the 1930s and today.

David Bacon is a journalist and photographer who has covered workers struggles in Iraq, Mexico, and the U.S. He is the author of several books including, The Children of NAFTA: Labor Wars on the U.S./Mexico Border

Francisco Dominguez is a photographer and printmaker. His parents both were farm workers. He documents the struggles of indigenous, immigrant, and poor people in black and white photography.

                                                                                                                        — Art Hazelwood, Guest Curator

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