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L@TE: Friday Nights @ BAM/PFA: Radical L@TE: Performance Anxiety

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© Courtesy of the Artist and Berkeley Art Museum and Pacific Film Archive
L@TE: Friday Nights @ BAM/PFA: Radical L@TE: Performance Anxiety
Curated by: Kathy Geritz, Steve Seid

2155 Center Street
Berkeley, CA 94720
November 19th, 2010 7:30 PM - 10:00 PM

QUICK FACTS
EVENT TYPE:  
Performance
WEBSITE:  
http://www.bampfa.berkeley.edu
NEIGHBORHOOD:  
East Bay
EMAIL:  
bampfa@berkeley.edu
PHONE:  
510.642.0808
OPEN HOURS:  
Wednesday, Thursday, Sunday 11am-7pm; Friday, Saturday 11am-9pm
SCHOOL ASSOCIATION:  
University of California Berkeley
TAGS:  
performance
COST:  
$7; free for BAM/PFA members and Cal students

DESCRIPTION

Radical L@TE: Performance Anxiety

(Doors 5 p.m., D.J. 6:30 p.m.)

Programmed by Steve Seid and Kathy Geritz

Life is a stage, but life with images is a performance. Nao Bustamente has a rep for off-kilter performances that have an edge of spoofy menace. Bustamente’s most recent large-scale undertaking, Silver & Gold, has her cross-dressing as legendary filmmaker Jack Smith and his molten muse Maria Montez. Projected video serves as a passageway between realms of enchantment. Conceptualist Jonathan Keats feels that plants should travel just like the rest of us. To provide that thrill, he’s made Strange Skies, a moody montage of Italian skies for the stay-at-home shrub. Sound improviser Theresa Wong will perform the score live, with flourishes just for the gathered foliage. In 1975, Daryl Sapien (with Michael Hinton) erected a thirty-five-foot wood pole in Gallery B, ascended the hefty post, and then drove in wedges as he descended. Splitting the Axis had video cameras and monitors positioned around the gallery’s ramps to provide a dislocated view. Sapien will place monitors along those same ramps, recreating Splitting the Axis, now dislocated by decades.

L@TE: Friday Nights @ BAM/PFA

From meditative masterpieces to off-kilter performances, L@TE programming invades Gallery B with classical and experimental soundworks, dance, video, and conceptual and performance art. Guest programmer Sarah Cahill continues to focus on the experimental tradition of American music, while guest programmer Tomo Yasuda’s L@TE series concludes its dialogue with the exhibition Flowers of the Four Seasons: Ten Centuries of Art from the Clark Collection for Japanese Art and Culture. In conjunction with Radical Light, Radical L@TE recreates a 1975 performance and brings us up to the present with video-mediated cross-dressing and travel films made for plants.

Friday night programs typically begin at 7:30 p.m. in Gallery B; doors open at 5 p.m. with DJs in the lobby or Gallery B at 6:30 p.m. Admission is $7; free for BAM/PFA members and Cal students. For more information on L@TE programs and our guest programmers, please visit bampfa.berkeley.edu/exhibition/late.