Rockstone & Bootheel: Contemporary West Indian Art

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Mimosa Pudica (Yabba), 2009 Hand Colored Stone Lithographs On Frosted Mylar 9" X 18" © Real Art Ways
Blood Soaked Skies, 2007 Triptych Acrylic Paint On Canvas 34" X 92" © courtesy of the artist
From The Powder Box Schoolgirl Serie, 2009 Digital Print On Gator Board 48x32" © courtesy of the artist
Rockstone & Bootheel installation shot, 2009 Mixed © Real Art Ways
Re-Identified III, 2008 Digital Print On Gator Board 24"X36" © courtesy of the artist
Rimshot, 2009 Chrome Wheel Rims With Soundscape Variable © Wheel Design Group and the artist
Poolside, 2008 Pigment Print 33" X 41" © courtesy of the artist
cage, yellow stack, containers, 2009 Steel Suspended On Wall, Mixed Media Variable (Cage: 264"X75"X89") © installation shot; courtesy of Real Art Ways and the artist
Iterations, 2008 Plastic Combs 8" X 120" X 60" © courtesy of the artist
Endz-Khani + Di Krew I-III, from the Disciplez Series, 2009 Mixed Media On Paper With Petals And Pussy Bulletz Variable © courtesy of the artist
Rockstone & Bootheel: Contemporary West Indian Art

56 Arbor Street
Hartford, CT 06106
November 14th, 2009 - March 14th, 2010

Other (outside main areas)
Gallery Hours: Tu-Th, Su: 2 PM - 10 PM. Fri - Sat: 2 PM - 11 PM
$3 suggested donation; free to cinema patrons and Real Art Ways members


Real Art Ways presents some of the most challenging, recent work by artists from the Anglophone Caribbean and the diaspora in Rockstone and Bootheel: Contemporary West Indian Art, curated by Kristina Newman-Scott and Yona Backer. The exhibition, featuring the works of 39 artists, evokes the feeling of a high-energy "mash up." The works are juxtaposed in conversation with each other to reveal complex, fragmented stories about contemporary Anglophone Caribbean culture, challenging common assumptions about West Indian artistic expression.

Rockstone and Bootheel opens on Saturday, November 14 and runs through Sunday, March 14, 2010. Real Art Ways is located at 56 Arbor Street in Hartford’s Parkville neighborhood. For more information, contact Real Art Ways: or 860.232.1006.

The opening reception is on Saturday, November 14, 3-6 PM. Performances at the reception include Christopher Cozier's temporary sound installation, Sound System, and a performance by Zachary Fabri.

Public programs slated to take place during the run of the show include film screenings, readings, performances, live music, artist talks, lectures, and community based activities. An event schedule will be available online closer to the exhibition's opening date.

About Rockstone and Bootheel: Contemporary West Indian Art The exhibition's name comes from a Jamaican dub-metal song, "Rockstone and Bootheel," by Gibby. It's a colloquial phrase that means "taking a journey." Rockstone and Bootheel is, in fact, an exhibition composed of many journeys, sometimes conflicting, all influenced by the social, political, and economic conditions of life in the West Indies and the diaspora. "West Indies" refers to a group of islands in the Caribbean formerly under British control.

The exhibition focuses on artists from the Bahamas, Barbados, Jamaica, and Trinidad & Tobago, all former British colonies, each with a distinct artistic presence.

Rockstone and Bootheel offers a snapshot of recent works that draw from the region's popular culture and history. Rather than make the case for a particular West Indian aesthetic, the exhibition offers a lively glimpse into contemporary Anglophone Caribbean visual practice - an energetic "mash up" of art that lies at the intersection of popular and urban culture.

Music and dance are pervasive in West Indian culture. Many of the works in Rockstone and Bootheel incorporate sound and performative elements, drawing from Carnival, Jamaican Dancehall, and other dominant subcultures.

The works also tell stories of the region's complicated history, a history filled with conflict, transformation, and cross-cultural exchange. Through their work, the artists address issues including gender, race, sexuality and homophobia, and the rampant crime and violence plaguing many of the islands' inner cities.

The exhibition features large-scale installations, new media and multi-disciplinary works, digital projections, music videos and large-format photographs. Also featured are assemblage sculptures, paintings, and live performances.

An offsite public art project by Karyn Olivier will be installed at a West Indian grocery store in Hartford. Hartford, Connecticut has the third largest West Indian population in the United States, after New York and Miami.

The exhibition's 39 participating artists are Akuzuru, Ewan Atkinson, Lawrence Graham-Brown, Renee Cox, Christopher Cozier, Blue Curry, Sonya Clark, Makandal Dada, Annalee Davis, Khalil Deane, Zachary Fabri, Joscelyn Gardner, Marlon Griffith, Satch Hoyt, Christopher Irons, Leasho Johnson, Ras Kassa, Jayson Keeling, O’Neil Lawrence, Christina Leslie, Simone Leigh, Jaime Lee Loy, Dave McKenzie, Wendell McShine, Petrona Morrison, Karyn Olivier, Zak Ové, Ebony G. Patterson, Omari Ra, Peter Dean Rickards, Nadine Robinson, Sheena Rose, Oneika Russell, Heino Schmid, Phillip Thomas, Adele Todd, Nari Ward, Jay Will and Dave Williams.

Catalog by leading Caribbean designer
Richard Rawlins will create an interactive website and catalog for the exhibition's international audience. Rawlins is artistic director for CMB Creative and the founder of the online magazine Draconian Switch. Like Draconian Switch, the catalog will also feature creative work by designers working in advertising. Contributing writers to the catalog include Garnette Cadogan; Nicholas Laughlin (editor of theCaribbean Review of Books); writers and critics Annie Paul and Melanie Archer; Donna P. Hope, a professor of Dancehall Culture and Reggae Studies; and poet/activist Muhammad Muwakil.

The Curators
Born and raised in Kingston, Jamaica, Real Art Ways’ Director of Visual Arts Kristina Newman-Scott is a practicing artist. Newman-Scott has organized and curated exhibitions with a particular focus on presenting emerging artists in innovative ways. Her previous curatorial projects include Shadow ShowArchaeology of Wonderand Real Public.

Yona Backer is a co-founder of Third Streaming, a project where popular culture, contemporary art, film, fashion and design intersect. Previously, she served as the Director of Visual Arts at the Americas Society in New York and most recently as the Senior Program Officer at the Andy Warhol Foundation. Yona Backer was born in Kingston, Jamaica and raised in Amsterdam, The Netherlands.

Rockstone and Bootheel is made possible by generous support from: The National Endowment for the Arts, The Connecticut Commission on Culture and Tourism, The Edward C. and Ann T. Roberts Foundation, Real Art Ways members, The J. Walton Bissell Foundation, The Andy Warhol Foundation for the Visual Arts, The Greater Hartford Arts Council's United Arts Campaign, Travelers, The Hartford Foundation for Public Giving, Sandy and Howard Fromson, Robinson and Nancy Grover, The Wallace Foundation , Lincoln Financial Group , and Gary E. West.