Sarah Beddington: CROSSING

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Sarah Beddington: CROSSING
Curated by: Tania Duvergne

30 Washington Street
Brooklyn, NY 11201
September 13th, 2008 - November 16th, 2008
Opening: September 13th, 2008 6:00 PM - 9:00 PM

(718) 694-0831
Wednesday - Sunday 12PM - 6PM


The Dumbo Arts Center (DAC) is pleased to present the first major New York solo exhibition by British artist Sarah Beddington. Crossing is a site-specific, mixed media installation responding to DAC’s ship-like interior and past maritime activity of the waterfront neighbourhood of Dumbo, Brooklyn. The exhibition’s premise draws on the story of ‘The Experiment’, the second ship to make a direct crossing to China from the newly independent United States in 1785. Over two hundred years later, Beddington weaves an array of fragments backwards and forwards through time and space while interposing details of the historic voyage with current global realities including trade, transport, cultural exchange, migration, and travel.

Beddington began to develop Crossing through extensive research of 18th century records of the expedition of Captain Stewart Dean and his nine-man crew from New York to Canton (now Guangzhou) in China aboard a small Hudson River sloop. The ship, named ‘The Experiment’, weighed a mere 85 tons, tiny in comparison to the 1000 ton East India trading ships typical of the period. The captain financed the risky enterprise by selling shares in the sloop to investors and bringing a variety of goods to sell, in large part, American ginseng. A year and a half later ‘The Experiment’ returned home safely bearing a hold full of Chinese tea, silk and porcelain. Beddington’s installation, Crossing, takes this entrepreneurial venture as an initial point of departure for a journey that moves seamlessly between past and present, east and west, dreams and reality.

The core of the exhibition is a three-channel video projection characteristic of Beddington's cinematographic style - meticulous framing, sensuous imagery and suspense reminiscent of film noir. Mixing color and black-and-white footage, digital video, still images and Super 8mm film, the piece undermines any clear distinction between past and present. A feeling of the continuous motion of a ship is juxtaposed with an evocation of the lonely, inner world of those on board giving the work a haunting, surreal quality. The accompanying multi-layered sound piece adds an additional sensory component to the experience and heightens the psychological tension. Using a variety of other elements, including sandblasted glass panels and an intricate twenty foot drawing in silverpoint depicting a contemporary aerial view of the Hudson River leading from Albany – where ‘The Experiment’ was built – to New York and the open sea, Beddington invites the viewer to construct their own narrative.

As with all of Beddington’s work, Crossing examines the intersection between the social, the personal and the political to be found at the periphery. The environment created for DAC reflects on the idea of ‘journey’ – both actual and metaphysical. Through fractured perspectives, stolen glimpses and a sense of parallel realities, the exhibition proposes a voyage where timelines are blurred and destinations unknown.

Sarah Beddington is a British artist based in New York. Recent solo exhibitions include Places of Laughter and of Crying, Bloomberg SPACE, London (2008); Panoptiscope, Petrie Museum of Egyptian Archaeology, UCL, London (2006); Parallel Lines and Other Stories, Artlab, Berlin (2005); Momenta Art, New York (2004). Group exhibitions include: Eastern Standards: Western Artists in China, MASS MoCA (until February 2009); Vanishing Point, Wexner Center for the Arts, Columbus, Ohio; e-flux international touring project Video Rental (EVR); Surveillance, The Moore Space, Miami. Her work is represented in a number of public and private collections including Arts Council England.

Tania Duvergne is an independent curator and public art consultant based in New York. She has curated exhibitions and produced publications for a wide range of art organizations including non-profit spaces and museums in New York, San Diego, and Washington, D.C. Most recently, she edited the monograph catalogue Robert Blanchon, published by Visual AIDS and distributed by D.A.P. and curated shinkai, a solo site-specific installation by Yumi Kori at the ISE Cultural Foundation Gallery, New York. Duvergne has also worked extensively on public art projects including inSITE97, inSITE2000, New York's MTA Arts for Transit, and the Peekskill Project 2006. She holds a BFA from the School of the Art Institute of Chicago and an MA from the Université de Paris Panthéon-Sorbonne in France.

Special thanks to The Greenwall Foundation, surroundart, Evan Eisman Company, Russell Maret, Anton Esteban and Alexander Posell of Ghostnote and all associated with the Hudson River Sloop Clearwater for making this exhibition possible.