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AN ELOQUENT WOMAN

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10
exhibition view © Praz-Delavallade Space II
AN ELOQUENT WOMAN

5, rue des Haudriettes
75003 Paris
FR
April 25th, 2009 - June 20th, 2009

QUICK FACTS
WEBSITE:  
http://www.praz-delavallade.com
NEIGHBORHOOD:  
Other (outside main areas)
EMAIL:  
flavie@praz-delavallade.com
PHONE:  
+33 (0)1.45.86.20.00
OPEN HOURS:  
Tue-Sat 11-7
TAGS:  
women, love, letters, poster, video-art, sculpture

DESCRIPTION

Praz-Delavallade is pleased to announce the second solo show devoted to LA-based artist Andrea Bowers. An Eloquent Woman is an exhibition that circles around the relationship of three women: a revolutionary, a historian and an artist. Emma Goldman was a radical feminist and anarchist revolutionary who in the early 1900’s became known for her political activism, writing and speeches. She was a proponent of workers’ rights, women’s rights, prisoners’ rights, free love and anti-conscription. This exhibition uses as its inspiration a series of passionate love letters written by Goldman 100 years ago, from 1908 to 1917, to her lover at the time, Ben Reitman, who was 10 years her junior. The sum of the works in the exhibition existentially investigate the pain and struggles in trying to live out one’s political ideals in one’s personal life. Bowers questions how one reconciles her political beliefs in the intimacy of private life and looks toward Emma Goldman and her archivist, Candace Falk, as role models. The exhibition contains a new single-channel video, a series of drawings, workers’ rights protest posters and a sculpture based on a social intervention. The new 20 minute video, also titled An Eloquent Woman, was begun over a year ago while researching at The Emma Goldman Papers at the University of California, Berkeley. Bowers became compelled by the Founder and Editor, Candace Falk, because of her intense dedication to archiving and understanding the life and work of another woman. This video expands on Bowers’ belief in the importance of storytelling as a feminist tradition and an alternative to the canonized record of history. Her continued exploration of the 1970’s feminist mantra, “The personal is political” is central in this piece as both Goldman and Falk insist on the messy but empowered existence gained from entwining the real woman and the public figure with political radicalism. This video scans at great detail through Goldman’s expressively scrawled handwriting where we can only catch glimpses of words. Floating between abstraction and legibility, the privacy of love letters is kept intact while asking us to expand our notion of the gesture and free expression. Candace Falk narrates the video and focuses on the interrelationships of Goldman, Reitman and the Haymarket Martyrs, a group of anarchists hung by the United States for a bombing in Chicago at a workers’ rights protest. They were later found innocent. The video was shot in two locations: super-8 film at the Waldheim Cemetery in Chicago and video of Goldman’s love letters at the Emma Goldman Papers. A new series of drawings further investigates the personal and political underpinnings of gesture and mark-making; a historically masculine style of working is redirected into feminist discourse. Bowers uses Goldman’s love letters as a source for her new drawings where she subjectively selects sentences and clauses to draw.


The autobiographies of the two woman overlap through Bowers’ meticulous copying of Goldman’s handwriting. Included in the exhibition is a photorealist drawing of an archival picture of Emma Goldman lecturing about a women’s right to birth control while standing on a truck in a huge sea of men in Manhattan. She was later arrested and jailed for this speech. Additionally, Bowers has made a large edition of political posters with spray paint and gift wrapping paper based on workers’ rights protest slogans. Many of the declarations come from Goldman, the Haymarket Anarchists and the International Workers of the World. Slogans from contemporary protests have been included as well. For example, “Quand on n’aura plus de pain, on mangera de la brioche” was recently displayed on a protest sign by Claudine Chettab, a laid-off purchasing agent at a workers protest in Paris on March 19, 2009. Bowers will be delivering Brioche to a union office each week of her exhibition. Andrea Bowers was born in 1965 in Wilmington, OH, US and lives and works in Los Angeles. She received her MFA at the California Institute of the Arts in 1992. In addition to several group exhibitions Bower’s recent solo exhibitions have included: Secession, Vienna, Austria; Halle für Kunst, Lüneburg, Germany; REDCAT, Los Angeles, CA; ArtPace, San Antonio, TX; Core Program, Glassell School of Art, Museum of Fine Arts, Houston, TX; Magazin 4, Voralberger Kunstverein, Bregenz, Austria; Institute of Visual Arts (INOVA), University of Wisconsin, Milwaukee, WI; and the Santa Monica Museum of Art, Santa Monica, CA. Among others Andrea Bowers work is included in the following collections: The Guggenheim Museum, New York; MOMA, New York; MOCA, Los Angeles; The Museum of Contemporary Art San Diego, La Jolla; The Museum of Fine Arts, Houston; The Museum Abteiberg, Moenchengladbach; The Ingvild Goetz Collection, Munich; ArtPace, San Antonio, TX.

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