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Frida Kahlo: Appearances Can Be Deceiving

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20181116200129-2010
Frida Kahlo: Appearances Can Be Deceiving

200 Eastern Parkway
11238-6052 Brooklyn
NY
US
February 8th - May 12th

QUICK FACTS
WEBSITE:  
http://www.brooklynmuseum.org
EMAIL:  
information@brooklynmuseum.org
PHONE:  
718-638-5000
OPEN HOURS:  
Wed, Fri-Sun 11-6; Thu 11-10
COST:  
$16 Adults; $10 Seniors & Students; Free Ages 19 and under.

DESCRIPTION

Tickets for this exhibition go on sale December 3. Our Member presale runs November 26–December 2. Become a Memberbefore November 21 at 1 pm to access the presale.

Mexican artist Frida Kahlo’s unique and immediately recognizable style was an integral part of her identity. Kahlo came to define herself through her ethnicity, disability, and politics, all of which were at the heart of her work. Frida Kahlo: Appearances Can Be Deceiving is the largest U.S. exhibition in ten years devoted to the iconic painter and the first in the United States to display a collection of her clothing and other personal possessions, which were rediscovered and inventoried in 2004 after being locked away since Kahlo’s death, in 1954. They are displayed alongside important paintings, drawings, and photographs from the celebrated Jacques and Natasha Gelman Collection of Mexican Art, as well as related historical film and ephemera. To highlight the collecting interests of Kahlo and her husband, muralist Diego Rivera, works from our extensive holdings of Mesoamerican art are also included.

Kahlo’s personal artifacts—which range from noteworthy examples of Kahlo’s Tehuana clothing, contemporary and pre-Colonial jewelry, and some of the many hand-painted corsets and prosthetics used by the artist during her lifetime—had been stored in the Casa Azul (Blue House), the longtime Mexico City home of Kahlo and Rivera, who had stipulated that their possessions not be disclosed until 15 years after Rivera’s death. The objects shed new light on how Kahlo crafted her appearance and shaped her personal and public identity to reflect her cultural heritage and political beliefs, while also addressing and incorporating her physical disabilities. 

Frida Kahlo: Appearances Can Be Deceiving is organized by Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and Lisa Small, Senior Curator, European Art, Brooklyn Museum, and is based on an exhibition at the V&A London. The Brooklyn exhibition is organized in collaboration with the Banco de México Diego Rivera and Frida Kahlo Museums Trust, and The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and The Vergel Foundation.

Image caption and credit: Nickolas Muray (American, born Hungary, 1892–1965). Frida in New York, 1946Íž printed 2006. Brooklyn MuseumÍž Emily Winthrop Miles Fund, 2010.80. Photo by Nickolas Muray, © Nickolas Muray Photo Archive. (Photo: Brooklyn Museum)