Does the body rule the mind, or does the mind rule the body?
Join the Hirshhorn’s summer of performance for an extraordinary season of intimate, moving experiences.
Does the body is the Museum’s first live performance exhibition, presenting the newest generation of American artists who blend the avant-garde legacy of performance art with pop culture.
Each work challenges crucial ideas about the body and identity through dance, music, comedy, and spoken word, and will invite you to connect with the artists and your fellow visitors to find ways to “dance better together.” The exhibition also includes a larger ongoing presentation of documentaries and recorded works that offer an introduction to these five exciting artists—Morgan Bassichis, Moriah Evans, Will Rawls, Jen Rosenblit, and Mariana Valencia.
Jen Rosenblit, I’m gonna need another one (2018)
A 2018 Guggenheim Fellow, choreographer, and dancer based in Berlin, Rosenblit will debut a new work in which she inhabits five distinct characters, from a wheat farmer to Dorothy from the Wizard of Oz, through the use of costumes, props, and vivid theatrics.
June 29-30, 7 PM
Mariana Valencia, Album (2018)
In this new solo work, Valencia presents a powerful herstory of her own life through a choral surround of original songs, dances, and monologues. She is a Foundation for Contemporary Arts Award to Artists grantee (2018) and has performed around the globe.
July 12-13, 7 PM
Morgan Bassichis, Me But Also Everybody (Part IV)
Blending stand-up comedy, live music, and raw personal therapy, Bassichis offers an intense new solo work for piano and voice. A composer, singer, comedian and cabaret artist, he has performed at Artists Space, MoMA PS1, and the Whitney Museum.
July 19, 6:30 PM and 9 PM
Will Rawls, Cursor: Word Lists (2018)
Cursor muses on the computer cursor as a kind of body, describing the graphic as a “protagonist and expectant messenger,” with dance, writing, voice, and objects. As a choreographer, writer, and performer, Rawls frequently explores ideas of dance and blackness, ambiguity and abstraction.
July 26-27, 3 PM
Moriah Evans, Be My Muse (2016)
Performed in collaboration with members of the audience, Evans will invite a new visitor each hour to join her artistic practice and produce original choreography. By creating and re-creating, she examines the construct of a “solo performance” and her role as an author.
August 6–10, 11 AM, noon, 2 PM, 3 PM, 4 PM
Curated by Mark Beasley, Robert and Arlene Kogod Secretarial Scholar, Curator of Media and Performance Art
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