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ISCP Talk: Julian Lucas and Joseph Buckley discuss The Demon of Regret

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My Clone Sons, 2016 © Jonathan Mildenberg
ISCP Talk: Julian Lucas and Joseph Buckley discuss The Demon of Regret

1040 Metropolitan Avenue
11211 Brooklyn
NY
US
July 19th, 2016 6:30 PM - 8:00 PM

QUICK FACTS
EVENT TYPE:  
Artist talk
WEBSITE:  
http://www.iscp-nyc.org
NEIGHBORHOOD:  
williamsburg/greenpoint
EMAIL:  
info@iscp-nyc.org
PHONE:  
(718) 387-2900
OPEN HOURS:  
Tue-Fri 12-6
TAGS:  
video-art, sculpture, mixed-media, installation
COST:  
FREE

DESCRIPTION

Join us on Tuesday, July 19th as Joseph Buckley and Julian Lucas, Associate Editor atCabinet Magazine, discuss Buckley’s solo exhibition The Demon of Regret and its references.

Julian Lucas is a writer and the Associate Editor of Cabinet Magazine. He received a B.A. in Comparative Literature from Harvard College. In 2013, he was the recipient of the Jacob Wendell Scholarship Prize and in 2015, received the Kwame Anthony Appiah Prize. Lucas was president of The Harvard Advocate in 2015, and his work has appeared in The New York Review of Books and Cabinet Magazine.

Joseph Buckley (born 1990, Ellesmere Port, England) studied at Leeds College of Art and Goldsmiths, University of London, graduating in 2010 and 2013 respectively. In 2013 he moved to the United States where he graduated from Yale School of Art in 2015. Recent solo presentations of work include Pervert’s Lament as part of Time Item: Sculpture Thesis 2015,Green Gallery, Yale School of Art; and One Sixth Of A Series Of Elegies: V,??, & XVII: Retcon! Retcon! Retcon!, &Model Gallery, Leeds, England. Recent group exhibitions include Wet Eyes, Meyohas, New York; Most Loathed, 3401 Lee Street, Los Angeles; and A Small Group Show of American and British Artists, Space Space Gallery, Tokyo.

This event is FREE and open to the public. 

For further information visit our website http://iscp-nyc.org/event/julian-lucas-and-joseph-buckley-discuss-the-demon-of-regret

The Demon of Regret: New Works by Joseph Buckleyis made possible through the generous support of the New York Community Trust Edward and Sally Van Lier Fund, the Milton & Sally Avery Arts Foundation, and the New York State Council on the Arts.