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"My work is intent on lavishing high-resolution on some definitely low-tech elements. Reflecting an interest in the behavior of humble materials in odd situations, it exploits the margins of perception and the conventions of language.Time can be compressed to uncover otherwise imperceptible activities, or the small and overlooked might be brought into view.Working with animation engenders a singular relationship to time. The experience of it becomes more tactile and non-linear. Time's discrete units—frames—can be reordered and manipulated creating a completely artificial event, even if with actual materials in real locations. The uncanny effectiveness of the technique, despite its simplicity, points to the limitations of our senses and the myriad information and activities that lie just beyond them."