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The Forever Now: Contemporary Painting in an Atemporal World

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Installation view of The Forever Now: Contemporary Painting in an Atemporal World at The Museum of Modern Art, New York (December 14, 2014-April 5, 2015) © Photo by John Wronn © 2014 The Museum of Modern Art
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Untitled (Circus No. 1 Face 44.18), 2012 Oil On Cardboard Mounted On Linen 101 1/2 × 72 1/2″ (257.8 × 184.2 Cm) © Courtesy of Mark Grotjahn. Copyright Mark Grotjahn. Photo: Douglas M. Parker Studio
The Forever Now: Contemporary Painting in an Atemporal World

11 West 53 Street
New York, NY 10019
December 14th, 2014 - April 5th, 2015
Opening: December 14th, 2014 10:30 AM - 5:30 PM

QUICK FACTS
WEBSITE:  
http://www.moma.org
NEIGHBORHOOD:  
midtown
PHONE:  
212-708-9400
OPEN HOURS:  
Wed-Mon 10:30 - 5:30; Fri 10:30 - 8:00
TAGS:  
painting

DESCRIPTION

Forever Now presents the work of 17 artists whose paintings reflect a singular approach that characterizes our cultural moment at the beginning of this new millennium: they refuse to allow us to define or even meter our time by them. This phenomenon in culture was first identified by the science fiction writer William Gibson, who used the term “a-temporality” to describe a cultural product of our moment that paradoxically doesn’t represent, through style, through content, or through medium, the time from which it comes. A-temporality, or timelessness, manifests itself in painting as an ahistorical free-for-all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras coexist. This profligate mixing of past styles and genres can be identified as a kind of hallmark for our moment in painting, with artists achieving it by reanimating historical styles or recreating a contemporary version of them, sampling motifs from across the timeline of 20th-century art in a single painting or across an oeuvre, or radically paring their language down to the most archetypal forms.

The artists in this exhibition represent a wide variety of styles and impulses, but all use the painted surface as a platform, map, or metaphoric screen on which genres intermingle, morph, and collide. Their work represents traditional painting, in the sense that each artist engages with painting’s traditions, testing and ultimately reshaping historical strategies like appropriation and bricolage and reframing more metaphysical, high-stakes questions surrounding notions of originality, subjectivity, and spiritual transcendence.

The exhibition includes works by Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Mary Weatherford, and Michael Williams.

Organized by Laura Hoptman, Curator, with Margaret Ewing, Curatorial Assistant, Department of Painting and Sculpture.

Major support for the exhibition is provided by The Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions.

Additional funding is provided by The Contemporary Arts Council of The Museum of Modern Art, The Junior Associates of The Museum of Modern Art, and the MoMA Annual Exhibition Fund.

Special thanks to the Aishti Foundation, Beirut.