Bigindicator

Mangos and Crab

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20140421125953-08___41814
Untitled 02, 2014 Unique Picotage On Inkjet Print 30 1/2 X 20 1/2 Inches © Courtesy of the artist and Carrie Secrist Gallery
Mangos and Crab

835 W. Washington Blvd.
60607 Chicago
IL
US
May 3rd, 2014 - June 28th, 2014

QUICK FACTS
WEBSITE:  
http://www.secristgallery.com/
NEIGHBORHOOD:  
River North/Near North Side
EMAIL:  
info@secristgallery.com
PHONE:  
312.491.0917
OPEN HOURS:  
Tue-Fri 10:30-6; Sat 11-5; or by appt
TAGS:  
painting, photography

DESCRIPTION

Carrie Secrist Gallery is thrilled to present our first solo exhibition with Paul Anthony Smith: Mangos and Crab on view from May 3 to June 14, 2014.

Paul Anthony Smith: Mangos and Crab comprises figurative paintings and photographs conceived during a visit to his hometown of Port Antonio, Jamaica last summer. Engaged in a purposeful practice of watching, Smith includes representations of both airport workers and family members, as he articulates a desire to understand public and private identities in his native country.

New genre scenes cast Jamaican airport employees as symbolic representations of the working class. Composed with large brushstrokes and simple shapes, four monochrome paintings depict the tarmac workers’ striped vests. The paintings’ titles correspond with geographic coordinates for Norman Manley International Airport in Kingston. Drawn to grand proportion, a final painting considers the workers’ posture and demeanor. Placed in a deliberately abstract environment, the workers’ obscured faces examine hierarchy and class.

In addition, Smith exhibits manipulated photographs, created with his picotage technique. Using a mechanical tool, Smith repetitiously picks away the top layer of each photograph in a precise, exhaustive pattern. He scrapes away photographed skin to reveal tears that shimmer as if flecked with glitter. A new form of documentary photography, Smith’s picotage works engage his own social history and descent from Jamaican emigration.

By concealing the faces and features of his subjects, Smith references masking and scarification. For the first time, Smith also distresses the backgrounds of his abstract portraits, creating holographic images. This act of negation further camouflages identities and complicates his examination of anonymity and exchange.

Paul Anthony Smith (b. 1988, St. Ann’s Bay, Jamaica) lives and works in Brooklyn, NY. Previous solo presentations include McKinney Avenue Contemporary, Dallas, TX. Recent group exhibitions include Kemper Museum and Grand Arts, Kansas City, MO as well as the Dallas Biennial 2014, Oliver Francis Gallery, Dallas, TX. Smith was the recipient of the Charlotte Street Visual Artist Award (2013) and participated in Art Omi International Artists Residency, NY (2013) and A.I.R. Program, Anderson Ranch Arts Center, CO (2012). He earned a BFA from the Kansas City Art Institute, Kansas City, MO in 2010.

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