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20140120084621-black_box_santiago_sierra_and_jorge_galindo
Los Encargados [Those in Charge], 2013 Still © Courtesy of the artists & The Hirshhorn Museum and Sculpture Garden
Black Box

Independence Ave. @ Seventh St. SW
20013-7012 Washington
DC
US
February 14th, 2014 - May 18th, 2014
Opening: February 14th, 2014 10:00 AM - 5:30 PM

QUICK FACTS
WEBSITE:  
http://hirshhorn.si.edu
COUNTRY:  
United States
EMAIL:  
hmsginquiries@si.edu
PHONE:  
202-633-1000
OPEN HOURS:  
Daily 10-5:30 (except Dec 25); Plaza open 7:30-5:30
TAGS:  
video-art

DESCRIPTION

The opening credits for the popular TV series Homelandinclude a montage of presidential clips, among them a close-up of President Barack Obama. At first he is shown upside down, speaking the words, “We must—” The image is quickly righted and he continues, “and we will—remain vigilant at home and abroad.” The show, while fictional, poses real questions about the powers and politics of  leadership, both seen and unseen.

Noted for artworks that question the structure and impact of authority, Santiago Sierra (Spanish, b. Madrid, 1966) staged a performance that similarly invokes images of political leaders. In August 2012 he organized a motorcade of seven black Mercedes-Benz sedans topped with upended monumental portraits of King Juan Carlos I and the six prime ministers of the Spanish democracy by painter Jorge Galindo (Spanish, b. Madrid, 1965; lives and works in Borox, Toledo). Bystanders, taken by surprise, posted cellphone documentation, and months later the artists’ multicamera black-and-white edit created a viral sensation.

Los Encargados [Those in Charge], 2013, shows the procession making its way along the Gran Vía of Madrid while accompanied by a soaring soundtrack. The song, “Warszawianka,” used as an anthem by Polish workers in 1905, has been adopted by populist movements worldwide. Heard frequently in Spain during their Civil War (1936–39), it is also recognizable as the score for footage of the October Revolution in the opening credits of the 1997 movie The Jackal.

In the artists’ hands, “found” audio and fabricated visual elements combine to resonate beyond specific national associations, asking viewers everywhere to give thought to those in charge.

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