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Lymphatic Vessels and Monoprints Celebrating the Life and Art of Bruce Conner

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Lymphatic Vessels and Monoprints Celebrating the Life and Art of Bruce Conner

522 West 24th Street
10011 New York
NY

October 16th, 2008 - November 15th, 2008

QUICK FACTS
WEBSITE:  
http://inglettgallery.com/index.php
NEIGHBORHOOD:  
Other (outside areas listed)
EMAIL:  
info@inglettgallery.com
PHONE:  
(212) 647-9111
OPEN HOURS:  
Tuesday - Saturday 10 AM - 6 PM

DESCRIPTION

GEORGE HERMS/LYMPHATIC VESSELS AND MONOPRINTS CELEBRATING THE LIFE AND ART OF BRUCE CONNER
16 October - 15 November 2008


Susan Inglett Gallery is pleased to present the work of George Herms, “Lymphatic Vessels and Monoprints celebrating the life and art of Bruce Conner.” A reception for the artist will be held Thursday evening 16 October 2008 from 6 to 8 PM.

George Herms was a poet living in Los Angeles in the mid-Fifties when he was asked to read one of his poems in public. Overtaken by stage fright, he became a sculptor. Herms began to make objects on which to mount his poems so they might be exhibited rather than read. The process of writing and art making were remarkably similar in Herms’s mind. Cobbling together bits and pieces of little value or meaning on their own, he created an eloquent whole and a singular voice.

George Herms was a founding member of the California assemblage movement and is one of America’s great artists. Wallace Berman, Ed Kienholz, William Burroughs, Jack Kerouac and Lawrence Ferlinghetti numbered among his friends and peers. Bruce Conner called him a “spontaneous genius”. The materials of Herms’s art are not beautiful or rare on their own. They are the refuse of our civilization which are redeemed in Herms’s hands, as are we. Asked to consider a rusted bit of twisted metal or the burnished leather of an ancient camera case, we can’t help but turn a fresh eye to our world with renewed attention and appreciation.

George Herms made his first solo exhibition in 1957, a half decade later he continues to make transformative works of art and writing. Having recently completed a free jazz Opera, “The Artist’s Life”, Herms was inspired to make this series of monoprints using the instruments for which the Opera was scored, paper plates. Here the monoprints are accompanied by sculptures, or lymphatic vessels. Act I of the Opera is set in the Artist’s studio. These lymphatic vessels serve as props, perhaps. The late Bruce Conner is present, certainly.

The exhibitions will be on view at Susan Inglett Gallery located at 522 West 24th Street Tuesday to Saturday 10 AM to 6 PM. For additional information please contact Susan Inglett Gallery at 212.647.9111, fax 212.647.9333 or info@inglettgallery.com.

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