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Iran Modern

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Untitled, 1977 Mirror, Reverse Glass Painting, and Plaster on Wood 105.4 X 105.4 Cm © Collection of Zahra Farmanfarmaian
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Crossroads (Earthwork) , 1975 Dried Earth on Canvas 48 X 48 In. © Collection of Cleopatra Birrenbach and Thomas Birrenbach
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Ledge (1), 1970 Felt Pen on Graph Paper Unframed: 17 5/8 X 22 1/4 In. © Collection of Beam Contemporary Art, New York and London, courtesy of the artist
Iran Modern

725 Park Avenue
at 70th Street
New York, NY 10021
September 6th, 2013 - January 5th, 2014
Opening: October 19th, 2013 6:00 PM - 8:00 PM

QUICK FACTS
WEBSITE:  
http://www.asiasociety.org
NEIGHBORHOOD:  
upper east side
PHONE:  
212-288-6400
OPEN HOURS:  
Tue-Sun 11-6, Fri 11-9
TAGS:  
modern, traditional, abstract, sculpture, photography, mixed-media, installation, conceptual

DESCRIPTION

Iran Modern is the first major museum exhibition mounted with loans from the United States, Europe, and the Middle East to focus on Iran’s dynamic modern art scene. The exhibition spans the three decades prior to the 1979 Revolution, a period of great economic, political, and societal change in the country. By the mid-1970s Tehran, its capital city, had become an important cosmopolitan destination. Artists found new patronage especially from the government for exhibitions and festivals, such as the annual Shiraz Arts Festival, and the creation of new museums such as the Tehran Museum of Contemporary Art, which was actively acquiring both Iranian and international art for its collection.

The exhibition is organized thematically across two floors to highlight the broad range of styles developed during this productive period. It is not a comprehensive overview but instead the works in the exhibition serve as key examples of the pluralism and innovative spirit of the time. The exhibition begins on the second floor by introducing artists associated with the Saqqakhaneh movement, the first culturally specific modernist group of note whose works were influenced as much by Shi'ite folk art, as by pre-Islamic art and international formal strategies. The exhibition also includes sections focusing on Abstraction, Calligraphy, and Politics. Within each section, monographic highlights will allow select artists’ work to be seen in greater depth. On the third floor a timeline and a selection of ephemera from the period provide greater context for the works on view.

Through the presentation of over one hundred works by 26 artists, the exhibition chronicles the conversation between tradition and modernity and puts forward the idea of modernism as a globally interconnected phenomenon. Iran Modern illuminates an overlooked time of artistic creation that continues to resonate with contemporary artists working both inside and outside Iran.