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The Armory Show at 100: Modern Art and Revolution

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Nude Descending a Staircase (No. 2), 1912 Oil on Canvas 57 7/8 X 35 1/8 in © Courtesy of The Philadelphia Museum of Art
The Armory Show at 100: Modern Art and Revolution

170 Central Park West
New York City, NY 10024
October 11th, 2013 - February 23rd, 2014
Opening: October 11th, 2013 10:00 AM - 8:00 PM

QUICK FACTS
WEBSITE:  
http://www.nyhistory.org/
NEIGHBORHOOD:  
upper west side
EMAIL:  
webmaster@nyhistory.org
PHONE:  
(212) 873-3400
OPEN HOURS:  
Tue-Thu 10-6; Fri 10-8; Sat 10-6; Sun 11-5:45
TAGS:  
sculpture

DESCRIPTION

Works by Duchamp, Matisse, Picasso, Cézanne, Gauguin, and Van Gogh will be on display in The Armory Show at 100: Modern Art and Revolution, which revisits the famous 1913 New York Armory Show on its 100th anniversary. In 1913, the International Exhibition of Modern Art came to New York. Organized by a small group of American artists and presented at the Lexington Avenue Armory (and thus nicknamed the Armory Show), it introduced the American public to European avant-garde painting and sculpture. This exhibition is an exploration of how the Armory Show inspired seismic shifts in American culture, politics, and society.

The New-York Historical Society's exhibition reasesses the Armory Show with a carefully chosen group of approximately seventy-five works. The exhibition includes American and European paintings and sculpture that will represent the scandalous avant-garde and the range of early twentieth-century American art. It will also include historical works (dating through the nineteenth century) that the original organizers gathered in an effort to show the progression of modern art leading up to the controversial abstract works that have become the Armory Show’s hallmark.

The 2013 exhibition revisits the Armory Show from an art-historical point of view, shedding new light on the artists represented and how New Yorkers responded. It will also place this now-legendary event within the context of its historical moment in the United States and the milieu of New York City in ca. 1911–1913. To that end, music, literature and early film will be considered, as well as the political and economic climate.

The exhibition will not travel. It will be accompanied by a substantial catalogue with thirty-one essays by prominent scholars from a variety of fields to re-examine the 1913 exhibition and its historical and cultural context.