The Pond, the Mirror, the Kaleidoscope: Contemporary Figuration Through a Symbolist Lens
School of Visual Arts presents "The Pond, the Mirror, the Kaleidoscope," an exhibition of emerging and established painters who graduated from SVA and are working in the Symbolist tradition. These "neo-Symbolists" make mythological and dreamlike pictures that challenge prevailing assumptions about narrative, subjectivity and figurative painting itself. As the exhibition title suggests, subjects may be environmental ("the pond"), societal and cultural ("the mirror"), or a post-apocalyptic, futuristic mash-up ("the kaleidoscope").
The exhibition is curated by Thomas Woodruff, chair of the BFA Illustration and BFA Cartooning departments, and features work by alumni of that program as well as the MFA Illustration as Visual Essay Department, which is chaired by Marshall Arisman.
"Like the Symbolists, today’s neo-Symbolists are arguably eccentric and obsessive, and they use low-tech methods to tell new stories to new audiences," says Woodruff. "They make art that is intellectually surprising, brimming with visions of the world as it is—or how it could be. And like the Symbolists, they are sometimes dismissed as ‘mere illustrators’ because they work in a figurative tradition."
More than 30 paintings, drawings and sculptures are on view at the Visual Arts Gallery from August 20 through September 14. Exhibiting artists are SVA alumni from the BFA Illustration or MFA Illustration of Visual Essay departments: Jean-Pierre Arboleda, James Bascara, George Boorujy, Michael Combs, TM Davy, Steve Ellis, Scott Harrison, James Jean, Mark Lang, Sakura Maku, Alison Moritsugu, Timothy Okamura, Mu Pan, Matt Panuska, Rachel Pontious, Lane Twitchell, Martin Wittfooth and Jason Bard Yarmosky.