Void and Substance

Event  |  Reviews  |  Comments
God is Laughing, 2012 Led Lights, Stainless Steel, Optical Fiber, Silicone 51 1/8 X 35 3/8 X 39 3/8 Inches (130 X 90 X 100 Cm) © Courtesy of the artist & Eli Klein Fine Art
Void and Substance

525 West 22nd Street
10011 New York

March 8th, 2013 - April 21st, 2013

Mon-Sat 10-6


Eli Klein Fine Art is pleased to announce the first solo exhibition in New York for the renowned Chinese artist, Li Hui. Famous for emotionally intense sculptures that challenge human nature, evolution, and technology, Li Hui’s work has become the subject of discussion around the world. This new body of work continues to express the artist’s poignant and powerful opinions on time, space, speed, and humanity.

God is Laughing, an allusion to Auguste Rodin’s The Thinker, highlights the absurdity of existential thought. Comprised of thousands of glowing LED lights, Li Hui’s looming ape gazes down on mankind just as mankind typically gazes down on an ape. It questions the accepted pyramid of intelligence and sarcastically challenges our attempt to understand the meaning of existence. 

Similarly, Captured Rhino also calls human intelligence into question. As the outline of a Rhino forcefully pulls against its constraints, the artist comments on mother nature’s often unanticipated strength and humanity’s failure to accept this dominance. At the same time, however, the sickle, which holds the massive rhino in place, illustrates the power of human ingenuity. 

In Li Hui’s eyes, the human ability to think and create is an incredible, but often misused power. His LED and acrylic work, Blooming, conveys this feeling beautifully. The illuminated mushroom cloud contained within the work blooms open like a delicate flower, paying homage to the incredible advance made when humans split the atom. The sheer amount of energy created by this reaction can solve our energy crisis, yet instead, it has been harnessed as a terrifying weapon. The contemplative beauty of Blooming wonderfully captures Li Hui’s thoughts on human intelligence.

Despite this distinctly pessimistic meditation, Li Hui believes that technological development is a natural process and simply the next step on the path to evolution. His work Atlantis, which contains a glowing lightening bolt within a decaying robot, highlights that energy and electricity are naturally occurring phenomenon. The title Atlantis suggests that technological development has existed since the legend of the doomed city Atlantis first began. Technology is not an unnatural phenomenon, but rather is a natural evolution in human development.

Li Hui was born in Beijing, China in 1977, and earned his Bachelor of Fine Arts from the Central Academy of Fine Arts in Beijing.  His work has been exhibited in museum shows around the world including recent solo exhibitions “Transition,” Mannheimer Kunstverein, Mannheim, Germany (2010); “Who’s Afraid of Red, Amber and Green?” Museum Kunstlich in de Kunst, Eindhoven, The Netherlands (2010); “Reality Impalpable,” Museum of Contemporary Art, Taipei, Taiwan (2011) and “V,” Ullens Center for Contemporary Art, Beijing, China (2011).