Alex Brown, Jason Reppert

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Alex Brown, Jason Reppert

131 Allen Street
New York, NY 10002
October 10th, 2012 - November 11th, 2012
Opening: October 10th, 2012 6:00 PM - 8:00 PM

Summer hours: Tue – Sat 12 – 6


Alex Brown’s Common Scents, an exhibition of new paintings and drawings, opens at Feature Inc. on Wednesday 10 October. Jason Reppert will concurrently exhibit a small group of recent sculpture in the gallery’s upfront. The opening reception for both exhibitions is on Thursday 11 October from 6-8 pm, and the exhibitions continue thru 11 November 2012. Like most lower east side galleries, public hours are Wednesday through Sunday 12-6.

Alex Brown’s work is playfully difficult to pin down. From a distance it appears representational, yet as one approaches the image it falls apart into abstraction. As one steps away, like an animation, the abstraction reconfigures back into representation. The edges of the repeated modular shapes that compose the abstraction are hard edge with centers like some candies—gushy or gelatinous. The representational aspect of the work references the photography of the found printed source material, and the abstraction references mathematics or the computer, though neither technology is utilized. Sometimes science pops into that discussion as the repeated modular form begs to be understood as molecular structure. There are of course other ways to enter this work, color and history probably being the most obvious, or in this body of work in particular, light. My main concern however, is that we go for the multiple reads and enjoy the 200% that the artist builds into them. Alex Brown was born in Des Moines in 1966, lives there now, and took a BFA from Parsons School of Design in 1991. He began exhibiting with Feature Inc. in 1988 and this is his 6th solo exhibition with the gallery.

Jason Reppert was born in Boston in 1974, lives in Brooklyn, and has a MFA (2004) from Rutgers University, Mason Gross School of the Arts. His work is heavy on materiality. Traffic cones form the base of each of the three sculptures on display, and while deep formal concerns are there, figurative, if not erotic, reference are also present.