Taylor Wessing Photographic Portrait Prize 2012

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Alma Haser, 2012 © The Artist
Mark Rylance , 2012 © The Artist
Lynne, Brighton, 2012 © The Artist
Margarita Teichroeb (detail), 2011 © The Artist
Taylor Wessing Photographic Portrait Prize 2012

St Martin's Place
WC2H 0HE London
November 8th, 2012 - February 17th, 2013
Opening: November 8th, 2012 10:00 AM - 9:00 PM

Other (outside main areas)
+44 020 7321 6620
Sun-Wed, Sat 10-6; Thu-Fri 10-9
portrait, photography


The Taylor Wessing Photographic Portrait Prize presents the very best in contemporary portrait photography, showcasing the work of talented young photographers and gifted amateurs alongside that of established professionals and photography students. 

Through editorial, advertising and fine art images, entrants have explored a range of themes, styles and approaches to the contemporary photographic portrait, from formal commissioned portraits to more spontaneous and intimate moments capturing friends and family. 

This year the competition attracted 5,340 submissions by over 2,350 photographers from around the world. The selected sixty works for the exhibition, many of which are on display for the first time, include the four shortlisted images and the winner of the first John Kobal New Work Award.


Shortlisted Artists

Four photographers have been shortlisted for the £12,000 Taylor Wessing Photographic Portrait Prize. The prize winners and the winner of the John Kobal New Work Award will be announced at an award ceremony at the National Portrait Gallery on Monday 5 November 2012.

Alma Haser for The Ventriloquist

Born into an artistic family in the Black Forest, Germany in 1989, Alma Haser moved to the UK in 1995 and gained a BA in Photography from Nottingham Trent University. Her shortlisted portrait, taken in her shared house in South London, is of friends Luke and James who have known each other since they were 12. Struck by their hairstyles, Haser initially planned to take separate portraits but it was difficult to get them to concentrate so she decided to photograph them together.

She says, ‘I asked them to sit on a tiny, wobbly coffee table, forcing them to almost cling onto each other. Ultimately I wanted to turn their verbal banter into a visual image. The title is designed to help viewers make up their own stories about what is going on.’

Chosen by the British Journal of Photography as one of the four best graduates of 2010, her work has featured in 10 exhibitions internationally and she received third place in the People’s Choice at Foto8 Summer Show 2012.

Spencer Murphy for Mark Rylance

Spencer Murphy, born in 1978, grew up in Kent and studied at the Kent Institute of Art and Design before gaining a BA in Photography at the Falmouth College of Arts. His shortlisted portrait is of actor Mark Rylance and was commissioned for the cover of the Telegraph Magazine to mark the actor’s return to the Globe to play Richard III.

Murphy says, ‘I’ve always enjoyed working with actors as there’s no awkwardness or discomfort in front of the camera and they are able to understand direction and react to it very easily. Mark was no exception.’

The recipient of many awards and shortlisted for the Sony World Photography Awards in both 2010 and 2011, Murphy’s work has been exhibited internationally. His work has been exhibited as part of the Taylor Wessing Photographic Portrait Prize six times, although this is the first time he has been shortlisted.

Jennifer Pattison for Lynne, Brighton

Born in Hertfordshire in 1978, Jennifer Pattison gained a BA in Photography at the London College of Printing before beginning a career as a photographic agent and producer. Her shortlisted portrait is of her friend Lynne and was taken in the empty bedroom of a derelict house in Brighton. It is part of a currently untitled series of naked portraits and landscapes.

Pattison says, ‘There is an interesting shift in the consciousness of the sitter during the slow process of making these portraits; a moment in the quiet where they become unaware that they are naked. I capture them as they drift to another place. With no direction Lynne adopted this straightforward pose, bare and undaunted, looking straight down the lens and beyond.’

Pattison has worked for many photographers including David Sims and interned in the photographs department at the Victoria & Albert Museum, and is currently focusing on her own career as a photographer.

Jordi Ruiz Cirera for Margarita Teichroeb

Born in Spain in 1984, Jordi Ruiz Cirera studied Design at Elisava College, Barcelona before moving to the UK and gaining an MA in Photojournalism and Documentary Photography at the London College of Communication. His shortlisted portrait of Margarita, a Mennonite from the Swift Current Colony in Bolivia, is part of his long term project portraying the daily life of this community.

He says, ‘Almost all of the houses have tables in front of their windows giving fantastic light to the scene. Sitting in front of the camera was not easy for Margarita, photography is forbidden for Mennonites and having her direct portrait taken was quite difficult so I could only take two frames of her. Even though we were enjoying the situation, Margarita posed with this sort of awkward expression.’

Ruiz Cirera’s work has been included in numerous exhibitions and this year he has won the AOP Student Awards as well as the Deutsche Bank Award in Photography.

The competition was judged on an equal and anonymous basis from original prints by:

Emma Hardy, Photographer
Lauren Heinz
, Editor, Foto8
Glyn Morgan
, Partner, Taylor Wessing LLP
Sandy Nairne
, Director, National Portrait Gallery (Chair)
Sean O’Hagan
, Writer on Photography for the Observer and the Guardian
Terence Pepper
, Curator of Photographs, National Portrait Gallery

John Kobal New Work Award
New for this year, the John Kobal New Work Award will be awarded to a photographer under the age of 30 selected for the exhibition. The winning photographer will receive a cash prize of £4,000 to include undertaking a commission from the Gallery to photograph a sitter connected with the UK film industry. The Award was judged by Simon Crocker, Chairman of the John Kobal Foundation.