Bigindicator

Solo Exhibition

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20120924234838-mj-62
Sword and the Stone , 2012 Carved Sandstone, Stainless Steel and Wood 22 X 17 1/2 X 13 1/2 Inches © Courtesy of the artist & 303 Gallery
20121016193115-mj-61
Wife Beater, 2011 Bronze 27 X 10 X 9 Inches © Courtesy of the artist & 303 Gallery
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Flying Cloud , 2012 Cast Bronze 24 3/4 X 8 1/2 X 34 1/2 Inches © Courtesy of the artist & 303 Gallery
Solo Exhibition

555 W 21st Street
New York, NY 10011
October 5th, 2012 - October 27th, 2012

QUICK FACTS
WEBSITE:  
http://www.303gallery.com/
NEIGHBORHOOD:  
chelsea
EMAIL:  
info@303gallery.com
PHONE:  
212.255.1121
OPEN HOURS:  
Tue-Sat 10-6
TAGS:  
sculpture

DESCRIPTION

303 Gallery is proud to announce our first exhibition of new work by Los Angeles-based sculptor Matt Johnson.

Working with traditional media including bronze, stone, wood, steel and aluminum, Johnson's work utilizes materials that are synonymous with strength, belying the delicate, sensuous, and sometimes weightless appearance of the sculptures themselves. Objects seem to be poised just so, however fragile in their disposition. The work focuses on the physical point at which an object, when standing on its own, becomes a sculpture. Notions of classicism abound, from bronze drapery, to polished marble as well as a kinship to wabi-sabi and mono no aware. The spirits inhabiting or occupying these objects are pushed to the forefront, often bringing into question exactly what the viewer is looking at.

In a sculpture titled "Wifebeater," the tank-top undershirt, referred to by its colloquial moniker, is cast in bronze, assuming an upright and present posture, slightly slumped in contrapposto and oddly animate, despite the shirt being absent its wearer. The piece was born of unintended consequence when the shirt, which was being used as a glue rag, was hung up to dry. When the tank top was released from its hanger it revealed its nature as a sculpture. The subsequent form was molded and cast.

Another form of sculptural displacement is explored in "Levitating Woman" as the illusion of the levitating magician's assistant is sculpturally performed. In this work the sheet covering the body is replaced with bronze, while the figure is missing. Johnson enshrines the presence of the woman within the topography of the sheet, creating a virtual figure that is both floating and not actually there. The sculpture reveals itself by the form of its cloak, in and of itself. With his unique use of the literal, figurative, and implicit, Johnson is able to slyly affect symbolic space through his singular sculptural interventions.

Matt Johnson (b. 1978, New York) lives and works in Los Angeles. He received his B.F.A. from Maryland Institute College of Art, Baltimore and his M.F.A from UCLA. Johnson has exhibited widely in such international venues as: The Hammer Museum, Los Angeles (2005, 2009); The Mori Art Museum, Tokyo (2007); The Saatchi Gallery, London (2009); the Hydra Workshop, Hydra, Greece (2011). Johnson was also included in the 2007 travelling exhibition, American Art in the 3rd Millennium, Astrup Fearnley, Oslo; traveled to Bard College, New York, NY; Serpentine Gallery, London; Reykjavik Art Museum, Reykjavik, Iceland; Galerie Rudolfinum, Prague, Czech Republic.