All Dat Glitters Aint Goals

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All Dat Glitters Aint Goals, 2012 Acrylic, Silver And Gold Leaf, Spray Paint, Oil Stick On Canvas 74 X 60 Inches © Fahamu Pecou, courtesy of Lyons Wier Gallery, NY
EYE CONS, 2012 Acrylic & Spray Paint On Canvas 80 X 59 Inches © Fahamu Pecou, courtesy of Lyons Wier Gallery, NY
Heir Conditioning: Even My Conditioning Has Been Conditioned, 2012 Acrylic, Spray Paint & Oil Stick On Canvas 70 X 58 Inches © Fahamu Pecou, courtesy of Lyons Wier Gallery, NY
Irony, 2012 Acrylic On Canvas 74 X 60 Inches © Fahamu Pecou, courtesy of Lyons Wier Gallery, NY
All Dat Glitters Aint Goals

542 West 24th Street
New York, NY 10011
September 6th, 2012 - October 6th, 2012
Opening: September 6th, 2012 6:00 PM - 8:00 PM

212 242 6220
Tues - Sat: 11am-6pm
hip hop, Rap Music, installation, graffiti/street-art, conceptual, pop, figurative


All Dat Glitters Ain't Goals

September 6 - October 6, 2012

Lyons Wier Gallery is honored to present All Dat Glitters Ain't Goals, our fourth solo exhibition featuring Fahamu Pecou.

Fahamu Pecou expands upon his 2011 exhibition in Paris, HARD 2 DEATH, by utilizing his familiar trope of self-portraiture to challenge and dissect society's representation of black masculinity in popular culture today. The title, All Dat Glitters Ain't Goals, is an obvious play on the quote from William Shakespeare's Merchant of Venice, "all that glitters is not gold." As with all of Pecou's exhibitions, the artist's masterful word play is the root of his exhibition.

Extrapolating from a broad range of popular culture resources, Pecou sifts through rap music, hip-hop culture and mass media to provide a visual reference that exaggerates and calls into question the persona and "hype" that serves as a bar upon which an entire segment of today's society measures their worth. The "thug life" lifestyle encompassing exotic cars, "iced out" jewelry, sexy women, drugs and countless non-culpable accounts of criminal exploits litter the lyrics of popular songs and music videos, ultimately infecting the overall perception of "success" in contemporary black male culture.

These ideals contrast starkly with the realities of most black youths, but often become the goals that many aspire to. Some would argue that this display of decadence and disregard is merely entertainment, however to many on the outside looking in, there is no suspension of disbelief. The reading and performance of black masculinity is often greatly dependent upon the reflected images of black men in the media--where hip-hop culture becomes the demonstrative construct.

Hence, Fahamu Pecou is The Shit!, Pecou's alter ego who exploits the hip-hop vernacular to address the oversaturation of false images and mislead ideals of wealth and success. The Shit appears as a blinged-out, tatted-up rapper gracing the covers of art and pop culture publications. The over-exaggerated persona and swagger of The Shit is further heightened by the use of subversive commentary, wordplay and colloquialisms scrawled atop Pecou's large-scale works. These quips directly engage the erroneous posturing proclaimed by today's black pop culture icons and role models.

Punctuating each painting in All Dat Glitters Ain't Goals is an original rap song written and performed by Fahamu Pecou, accompanied by Grammy Award winner rapper Killer Mike and Stic.Man of hip hop duo Dead Prez, and featuring several of Atlanta's most well-known rap artists and vocalists such as Ekundayo, Boog Brown, Clan Destined, Starchile and Mike Flo to name a few. The entire music project is produced by acclaimed producer Illastrate.transport the viewer to and through the meaning of All Dat Glitters Ain't Goals. The entire collection of tracks will be streaming live in the gallery and available via QR codes. There is also a Limited Edition Collector's EP.

To hear a sample track, click here:

Fahamu Pecou has been featured in several solo and group exhibitions in the US and abroad. Museum shows include the Nasher Museum of Art at Duke University, Durham, NC, Torrance Art Museum, Torrance, CA, the Museum of Contemporary African Diasporan Arts (MoCADA), Brooklyn, NY, the Wadsworth Atheneum Museum, Amistad Center, Hartford, CT, Austin Museum of Art, Austin, TX, and the High Museum of Art, Atlanta, GA.

His work has been reviewed in numerous publications such as Art In America, Harper's Magazine, NY Arts Magazine, among others. He is a recipient of the Artadia Award (2009), the first ever Artist in Resident for the Harvey B.Gantt Center for African American Arts & Culture Resident at the McColl Center for Visual Art in Charlotte, NC (2010) and a winner of the 2012 West Collection Prize. Pecou is currently pursuing his Ph.D. degree at the Institute of Liberal Arts (ILA) at Emory University. He lives and works in Atlanta, GA.

For further information, contact:

Lyons Wier Gallery
542 West 24th Street
New York, NY 10011
Tel: +1 212 242 6220