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Up & Coming 2011: New Printmakers Make Their Mark

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20110601133617-4_gma_kelly_s_house
Gma Kelly's House, 2010 Screenprint 10 X 10 Inches © Courtesy of the artist
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Changing Identities, 2010 Etching Prints on Raw Silk Collaged on to Foam Core 77 X 53 Inches © Courtesy of the artist
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Rebel, 2010 Flower, Methylcellulose, Charcoal, Hologram on Paper in Shaped Frame 30 X 27 Inches © Courtesy of the artist
20110601133039-brucestudio1
Formation, 2010 Screenprint Monoprint on Birch Panel 24 X 48 Inches © Courtesy of the artist
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Before and After, 2009 Offset Printed Sheets Assembled Into Butterfly Ball, Housed in Offset and Letterpress Printed Box With Sides That Fold Down 19 1/2 X 19 X 6 Inches © Courtesy of the artist
20110601133933-hold_down_the_concrete
Hold Down the Concrete, 2010 Silkscreen (hand-cut Rubylith Stencils) on Paper 24 X 40 Inches © Courtesy of the artist
20110601134149-03_black_hole
Black Hole, 2011 Serigraph on Inkjet Print 24 X 18 Inches © Courtesy of the artist
20110601134305-image7-untitled
Untitled, 2009 Woodblock Print 24 X 18 Inches © Courtesy of the artist
20110601134555-rhee_guidry_5
Stagings of the Mass Dream; By the Lake, 2010 CMYK Silkscreen Print on Paper 27 X 22 Inches © Courtesy of the artists
20110601134647-new_life_02
New Life Cardiograph, Laptop, Computer Program, Paper, Website 72 X 50 X 20 Inches © Courtesy of the artist
20110607103131-whitfield_kudzu_1
Kudzu, 2009 Screenprint on Paper 108 X 144 Inches © Courtesy of the artist
20110620101152-this_old_feeling
That Old Feeling, 2011 Linoleum Cut, Paper, Acrylics, Oil Pastel Variable © Courtesy of the artist
Up & Coming 2011: New Printmakers Make Their Mark
Curated by: Jonathan Greene

7 Lower Center Street
Clinton, NJ 08809-1303
June 19th, 2011 - September 18th, 2011
Opening: June 26th, 2011 2:00 PM - 4:00 PM

QUICK FACTS
WEBSITE:  
http://www.hunterdonartmuseum.org
NEIGHBORHOOD:  
other (outside main areas)
EMAIL:  
info@hunterdonartmuseum.org
PHONE:  
908-735-8415
OPEN HOURS:  
Tuesday - Sunday 11 am - 5 pm
TAGS:  
printmaking, printmakers mixed-media installation, abstract
COST:  
$5 suggested donation

DESCRIPTION

The Hunterdon Art Museum continues its long history of supporting and promoting contemporary printmakers with this second invitational show of prints by MFA candidates and recent graduates.  We invited East Coast art schools with MFA printmaking programs to nominate up and coming printmakers, and from these nominees we selected twelve talented artists.  Participating schools are:  The LeRoy Neiman Center for Print Studies, Columbia University; University of Massachusetts | Dartmouth; Montclair State University; Pratt Institute; The University of the Arts; University of Pennsylvania; and Virginia Commonwealth University, School of the Arts.  Works chosen for the exhibition utilize traditional techniques such as woodcut and silkscreen, as well as current advances in digital technology that create prints. The show includes two- and three-dimensional objects, artist books and mixed media installations that expand the conventional boundaries of printmaking and identify some innovative trends in contemporary art.

If there is a common thread connecting these diverse works it may be ingenuity.  Many of the artists look beyond traditional printmaking materials and methods, incorporating other media and processes to create contemporary works of art.  From Christi Birchfield’s use of flowers as a pigment to Donna Globus’ art of storytelling through offset printed sheets and books to Rhys Himsworth’s reconfiguration of a cardiograph as a printmaking device; these artists have developed their own unique techniques while maintaining the very ideals of making prints. Evolving technologies let the artists expand their printmaking practice, but their attention to the history of this art form allows for a fluid transformation and rich results.

Some of these artists have transcended a boundary in printmaking by making the act or result of their process interactive. Bonnie Kaye Whitfield’s printed letters, left for someone to pick up, result in anonymous engagement. The use of multiple processes is also prevalent amongst these artists as seen in the work of Vaidehi Kinkhabwala who turns the ordinary form of a dress into a multi-layered printmaking experience. By rethinking how to use traditional techniques to create innovative work, these artists have begun the long journey of making a mark.

“Making a mark” is both an activity and an outcome.  When we speak of mark making as an artistic endeavor we refer to an essential gesture; for an artist, making a mark is an act of creativity.  Additionally, the expression “to make one’s mark” means to achieve distinction or make a name for oneself.  Both meanings are relevant for the emerging artists in this exhibition.  While the mark they will leave on contemporary art is yet to be determined, each has made an indelible mark on this exhibition.

This exhibition is funded in part by the International Fine Print Dealers Association