Sleeping Soldiers (three-screen video installation, 2009) and Diary (single-screen video, 2010)

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© Courtesy of Aperture Gallery
Sleeping Soldiers (three-screen video installation, 2009) and Diary (single-screen video, 2010)

547 West 27th Street, 4th Floor
New York, NY 10001
May 25th, 2011 - June 23rd, 2011

(212) 505-5555
Monday–Saturday, 10:00 am–6:00 pm


In remembrance of Tim Hetherington, photographer, reporter, and filmmaker, Aperture is honored to present his Sleeping Soldiers video installation and his Diary video, from Wednesday, May 25 through Thursday, June 23.
Tim Hetherington was killed in Misurata, Libya, on April 20, 2011, during an attack by pro-Qaddafi forces on the rebel-held town. His funeral took place in London on May 13.
A New York memorial service will be held at First Presbyterian Church on Fifth Avenue between 11th and 12th streets, Manhattan,on Tuesday, May 24, at 4:00 p.m. All are welcome.
Sleeping Soldiers (5 minutes, 2009) is an immersive video essay, shot at the same time as the film Restrepo, featuring soldiers of a U.S. Airborne Infantry platoon based in the Korengal Valley of Eastern Afghanistan, in combat, and asleep. The original three-screen installation was first shown in New York in 2009 at the New York Photo Festival, in an exhibition curated by Jon Levy.
Diary (19 minutes, 2010) is a highly personal and experimental film that expresses the subjective experience of Hetherington’s working life, and was made as an attempt to find himself after ten years of reporting. It’s a kaleidoscope of images that link our Western reality to the seemingly distant worlds we see in the media.
Both videos were shot and directed by Tim Hetherington, with editing and sound design by Magali Charrier.
Hetherington’s family and friends have suggested that donations in his memory be made to the three charities that Tim felt most strongly about: Human Rights Watch, the independent organization dedicated to defending and protecting human rights, for which he worked regularly; Committee to Protect Journalists; and Milton Margai School for the Blind in Sierra Leone, where Hetherington photographed and worked with students, who had been intentionally blinded by the Revolutionary United Force. Donations to these charities will be accepted at Aperture during the screening of his videos.
Tim Hetherington was born in Liverpool, UK, in 1970. He studied literature at Oxford University and later returned to college to study photojournalism. He lived in New York and was a contributing photographer for Vanity Fair magazine. His was known for creating diverse forms of visual communication and his work has ranged from multiscreen installations, to fly-poster exhibitions, to handheld device downloads. Known for his long-term documentary work, Hetherington lived and worked in West Africa for eight years and reported on social and political issues worldwide.
As a filmmaker, he worked as both a cameraman and director/producer. He was a cameraman on Liberia: An Uncivil War (2004) and The Devil Came on Horseback (2007), and his directorial debut, Restrepo (codirected with Sebastian Junger), was awarded the Grand Jury Prize at the 2010 Sundance Film Festival and shortlisted for an Academy Award for Best Documentary Feature, in 2011.
He authored and published two books of photographs: Long Story Bit by Bit: Liberia Retold (Umbrage Editions, 2009), and Infidel (Chris Boot, 2010).
He was the recipient of numerous awards, including a Fellowship from the National Endowment for Science, Technology, and the Arts (2000–2004), a Hasselblad Foundation grant (2002), four World Press Photo prizes, including the World Press Photo of the Year 2007, the Rory Peck Award for Features (2008), and an Alfred I. duPont award (2009).

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