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Salomon Arts Gallery, New York - NY

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WOMAN'S KISS, 2002 © Copyright
Salomon Arts Gallery, New York - NY

83 Leonard Street
4th Floor
New York, NY 10013
March 25th, 2011 - April 22nd, 2011

QUICK FACTS
WEBSITE:  
http://salomonarts.com
NEIGHBORHOOD:  
tribeca/downtown
EMAIL:  
salomonarts@earthlink.net
PHONE:  
212-966-1997
OPEN HOURS:  
Only by appointment
TAGS:  
mixed-media

DESCRIPTION



83 Leonard Street 4th Fl
New York, NY 10013
212-966-1997
www.salomonarts.com
salomonarts@earthlink.net

FOR IMMEDIATE RELEASE:

“From Line to Pixel”
Bill Claps & Richard Brown

On view: March 25th - April 22nd

Salomon Arts Gallery is pleased to announce “From Line to Pixel”, an exhibition
featuring drawings and paintings from artists Bill Claps & Richard Brown.
In 1925 Paul Klee said “A line is a dot that went for a walk.” With today’s digital
technology, lines can become dots, and then digitally manipulated back into lines
again. This opens up infinite artistic possibilities, but in the process raises
questions of where the work of the hand ends and the work of the computer begins.
This exhibition contrasts the differences between traditional and digital painting by
exploring the processes of two emerging artists. Both use drawings of the human
form as the point of departure for their works, but utilize divergent approaches in
the use of the line to achieve their final vision.


Claps’ sensuous figurative work combines elements of both drawing and painting,
and he draws directly into the canvas using oil pastel, graphite, charcoal, and other
materials. “My work explores the intersection of representation and abstraction,
and the line is essential, as its path through the work tells the story and evokes the
mood. As my works evolve they take on a certain life of their own, at which point I
facilitate the process and act as an arbitrator, deciding which structural elements
deserve more or less prominence”.


In contrast, Brown’s vibrant graphic works evolve from a process that begins with
computer renderings of his hand drawn figures, which he scans and re-draws
digitally, adding colors and continually modifying via a computerized airbrush
technique. “My process has been developed over years of trial and error until I’ve
come up with a distinctive signature style”

This exhibition seeks to re-examine the age-old question of “What is Art?” by
contrasting these artist’s divergent styles and methods, one traditional and one
implementing digital techniques. What is the effect on artistic purity and
authenticity in our era when technology is often utilized in new and changing ways?

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