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Mirror (detail), 2010 Precision Cut Stainless Steel © Courtsey of the artist and Galerie Almine Rech

64 rue de Turenne
75003 Paris
October 30th, 2010 - December 18th, 2010
Opening: October 30th, 2010 6:00 PM - 8:30 PM

3rd Arrondissement
+33 1 45 83 71 90
Tue-Sat 11-7
installation, sculpture


The Almine Rech Gallery is pleased to announce the first exhibition in France by
American artist Teresita Fernàndez.

For this exhibition, the artist will present a selection of exclusive works which
confirm the originality of both her artistic idiom and the supports she uses.
Exploring notions of opacity, transparency and reflection, Fernàndez develops
abstract representations. Her mural pieces, which are both radical and sensitive,
insert themselves in, and subtly transform, the space in which they are installed.

Fernàndez has produced raw-graphite panels which have been sculpted. The artist
will also present pieces in stainless steel which she has cut and polished, and
whose organic forms echo another installation: it consists of small glass cubes
positioned following specific instructions on the wall of the gallery, and which
capture and reflect the light in the space. The multitude of focal points offered to
the viewer’s gaze deconstructs and renews the perception of a mural work which
reveals itself in three dimensions.

Teresita Fernàndez was born in 1968 in Miami. She received a BFA from The Florida
International University in Miami, FL and an MFA from the Virginia Commonwealth
University in Richmond, VA. She lives and works in Brooklyn, New York. Her work has
been presented at numerous international exhibitions, including the New Museum of New York,
the CAC in Malaga, the ICA in Philadelphia, SITE in Santa Fe (New Mexico), the
Castello di Rivoli in Turin and the Witte de With in Rotterdam. Fernàndez has also completed
important public commissions, notably for the Maison Louis Vuitton in San Francisco and the
Seattle Art Museum. In January 2009, the Blanton Museum of Art in Texas unveiled
“Stacked Waters”, an installation created specifically for the museum’s lobby. “Blind Blue
Landscape”, a new permanent installation, was inaugurated in September 2009 at the renowned
Benesse Art Site in Naoshima, Japan. Her work has been included in many private and
institutional collections, including the Saint Louis Art Museum, the San Francisco Museum of
Modern Art, the Museum of Contemporary Art in Miami, the Miami Art Museum, the
Walker Art Center in Minneapolis, the Goetz Collection in Munich, and the Albright-Knox
Art Gallery in Buffalo. A retrospective exhibition of her work opened in 2009 at the University
of South Florida Contemporary Art Museum; it was then shown at the Blanton Museum of
Art in Texas and will be presented at the Cleveland Museum of Contemporary Art in 2011.
A new monograph edited by David Louis Norr, with texts by Dave Hickey, Anne Stingfield
and Gregory Volk, and published by JRP Ringier and the USF Contemporary Art Museum,
accompanies the exhibition.

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