Everything—Paintings and Works on Paper, 1980–2008
Since his first exhibition at the age of thirteen, Guillermo Kuitca (Argentinean, b. Buenos Aires, 1961) has forged a distinctive path as an artist, creating visually compelling works that reflect his intense and often ambivalent relationship to his primary medium: painting. “Guillermo Kuitca: Everything” is the first comprehensive survey of the artist’s work in the United States in more than ten years, and is co-organized by the Hirshhorn; Albright-Knox Art Gallery, Buffalo, NY; and the Miami Art Museum. Examining the artist’s continuing development between 1980 and 2008, the show presents the spectrum of Kuitca’s thirty-five year career, from early pieces inspired by his experience in theater, with titles often drawn from music, to recent complex abstractions that evoke the history of modern painting. Included are pieces from all of Kuitca’s major series as well as a range of his works on paper, which have played an important role in the evolution of his painting. The exhibition is accompanied by a catalogue which provides significant essays documenting the artist’s thematic groupings, addresses his relationship to drawing, a previously unexplored aspect of his work, and presents extensive interviews with the artist conducted in 1997 and 2008.
Since the early 1980s, the artist’s work has been characterized by recurring imagery, most notably spatial and mapping motifs. Central among these are images of theater sets and seating charts, architectural plans, road maps, beds, numerical sequences, and baggage-claim carousels, through which Kuitca explores universal themes of migration and disappearance, the intersection of private and public space, and the importance of memory. His prolific career encompasses a diverse body of work that inspires viewers not only to contemplate their relationship to the piece in front of them, but also to their place within individual spaces and the larger world.
Guillermo Kuitca: Everything, Paintings and Works on Paper, 1980-2008 is co-organized by Albright-Knox Art Gallery, Buffalo, New York; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; and Miami Art Museum, Miami, Florida. Major funding is provided by the Bruce T. Halle Family Foundation, AXA Art Insurance Corporation, and the Leadership and Honorary Patrons Committees for the exhibition with additional catalogue support from Colleción Patricia Phelps de Cisneros.
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