Black & White

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Number 99, 2006 Acrylic On Canvas 79 X 59 Inches © Courtesy of the artist and Jason McCoy Gallery, NY
Wounded Head, 1993 Oil On Canvas 11 3/4 X 9 1/2 Inches © Courtesy of the artist and Jason McCoy Gallery, NY
Chapala Drawing 3, 1956 Ink On Arches Paper 30 1/3 X 22 1/4 Inches © Courtesy of Jason McCoy Gallery, NY
Colors of Shadow C1020, 2006 Pigment Print 53 1/8 X 41 3/4 Inches © Courtesy of Jason McCoy Gallery, NY
NYIMA 258, 2005 Inkjet Print On Canvas 49 1/4 X 73 2/3 Inches © Courtesy of the artist and Jason McCoy Gallery, NY
Semen and Milk, 1997 Ink, Gesso, Tempera, Acrylic, Oil Pastel And Caran D'ache On Paper Mounted On Canvas 19 X 25 1/2 Inches © Courtesy of the artist and Jason McCoy Gallery, NY
L'Ecroche, Gypsum, 1901-02, 1921 Vintage Gelatin Silver Print 14 1/2 X 10 1/16 Inches © Courtesy of Jason McCoy Gallery, NY
Black & White

41 East 57th Street
11th Floor
New York, NY 10022
July 27th, 2010 - October 1st, 2010

Hours: Monday - Saturday, 10 am to 5:30 pm
photography, mixed-media, installation, pop, landscape, surrealism, figurative, modern, sculpture


Jason McCoy Gallery is pleased to present Black & White an exhibition exploring the concept of stark, formal and emotive contrasts in painting, sculpture and photography.

Often abbreviated as B/W or B&W, black-and-white as a visual description is somewhat of a misnomer as it can entail various shades of white, black and gray. In photography, the early works for example often contained a tint of sepia and in painting, various artists have repeatedly argued that black and white should be viewed as hues in their own right (rather than just as light and the absence of light).

No matter how fine the nuances within the B&W delineation might be from case to case, the works in this exhibition prove that a restricted palette does not make for a lack of expressive or emotional range. The concentration on a black-and-white palette can be formal, as is the case in a Calder black mobile or Sugimoto’s photograph Colors of Shadow C1020, or gestural, demonstrated by works on paper by Jackson Pollock, Franz Kline, David Smith, and Mark Toby for example. It can be employed as a meditation on light, such as in Robert Ryman’s Summary or Richard Pousette-Dart’s Hieroglyph White Garden or its absence, as shown in Maxwell Hendler’s black monochrome Orfeo.

B&W can allude to the clarity of communication, such as black text on white ground, the notion of timeless elegance, nostalgia, serenity, sobriety, the extremity of emotion, the color of skin, good and evil, night and day, past and future, life and death. As a term it implies a broad concept, as the inspiration for a thematic group show, it functions as an umbrella for diversity.

Artists featured in this exhibition include Constantin Brancusi, Alexander Calder, Christopher Deeton, Burgoyne Diller, Adolph Gottlieb, Maxwell Hendler, Rachel Hovnanian, Bo Joseph, Rosy Keyser, Frederick Kiesler, Franz Kline, Gregoire Muller, Masayuki Nagare, Charles Pollock, Jackson Pollock, Richard Pousette-Dart, Robert Ryman, David Smith, Leon Polk Smith, Annelies Strba, Hiroshi Sugimoto, Mark Tobey, Kara Walker, John Zurier.