Bigindicator

YVES KLEIN: WITH THE VOID, FULL POWERS

Event  |  Reviews  |  Comments
Image_1_252
Untitled Anthropometry, 1960 © Courtesy of Hirshhorn Museum and Sculpture Garden
YVES KLEIN: WITH THE VOID, FULL POWERS

Independence Ave. @ Seventh St. SW
20013-7012 Washington
DC
US
May 20th, 2010 - September 12th, 2010

QUICK FACTS
WEBSITE:  
http://hirshhorn.si.edu
COUNTRY:  
United States
EMAIL:  
hmsginquiries@si.edu
PHONE:  
202-633-1000
OPEN HOURS:  
Daily 10-5:30 (except Dec 25); Plaza open 7:30-5:30

DESCRIPTION

May 20, 2010 to September 12, 2010

One of the last century’s most influential artists, Yves Klein (French, b. Nice, 1928; d. Paris, 1962) took the European art scene by storm in a prolific career that lasted only from 1954 to 1962, when he suffered a heart attack at the age of 34. Yves Klein: With the Void, Full Powers is the first major retrospective of the artist’s work in the United States in nearly 30 years. The exhibition will include examples from all of Klein’s major series, including his Anthropometries, Cosmogonies, fire paintings, planetary reliefs, and blue monochromes, as well as selections of his lesser-known gold and pink monochromes, body and sponge reliefs, “air architecture,” and immaterial works. The installation will also foreground the artist’s process and conceptual projects through a range of ephemera, including sketches, photographs, letters, and writings.

Yves Klein created what he considered his first artwork when he signed the sky above Nice in 1947, making his earliest attempt to capture the immaterial. Klein was an innovator who embraced painting, sculpture, performance, photography, music, theater, film, architecture, and theoretical writing. Self-identified as “the painter of space,” he sought to achieve immaterial spirituality through pure color (primarily an ultramarine blue of his own invention—International Klein Blue). The artist’s diverse body of work represents a pivotal transition from modern art’s concern with the material object to contemporary notions of the conceptual nature of art and is informed by Klein’s study of the mystical sect Rosicrucianism, philosophical and poetic investigations of space and science, and the practice of Judo.

The exhibition is co-organized by the Hirshhorn and the Walker Art Center in Minneapolis, and is co-curated by Hirshhorn deputy director and chief curator Kerry Brougher and Philippe Vergne, director of Dia Art Foundation.

ArtSlant has shutdown. The website is currently running in a view-only mode to allow archiving of the content.

The website will be permanently closed shortly, so please retrieve any content you wish to save.