Bigindicator

Helen Marten

Profile  |  Artworks  |  Exhibitions  |  Network  |  Reviews  |  Comments
20160901092125-kline
Unsuspend These Animations: On Digital Bodies and Agency at the Hirshhorn   Pick-button-f22fa879042524f5c7b8d2278b2983b8
by
Ed Atkins, Antoine Catala, Ian Cheng, Josh Kline, Helen Marten, Agnieszka Polska at Hirshhorn Museum and Sculpture Garden February 10th, 2016 - March 12th, 2017
Posted 9/1/16
Stop me if you’ve heard this one before. A self-conscious avatar, pair of floating lips, and President Obama walk into an art show…    What seems like the beginning to a potentially funny joke is actually half of the nearly mirthless exhibition at the Hirshhorn Museum. Eschewing humor as a staple of animation and postmodern critical tool, the show soberly promises to introduce the audience to six contemporary artists using computer animation to “challenge conceptions of reality” and... [more]
20130619192203-marino_auriti
Notes on ‘The Encyclopedic Palace’. A Venetian tour through the Biennale   Pick-button-f22fa879042524f5c7b8d2278b2983b8
by
Kasper Akhøj, Victor Alimpiev, Ellen Altfest, Pawel Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Nikolay Bakharev, Miroslaw Balka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Stefan Bertalan, Rossella Biscotti, John Bock, Frédéric Bruly Bouabré, Geta Bratescu, KP Brehmer, James Lee Byars, Patrick Van Caeckenbergh, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Thierry De Cordier, aleister Crowley, Oliver Croy, R. Crumb, Roberto Cuoghi, Enrico David, Jos de Gruyter, Walter de Maria, Tacita Dean, John DeAndrea, Simon Denny, Trisha Donnelly, Jimmie Durham, Oliver Elser, Harun Farocki, Guo Fengyi, Peter Fischli, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian, Domenico Gnoli, Robert Gober, Tamar Guimarães, João Maria Gusmão, Wade Guyton, Duane Hanson, Frieda Harris, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsohn, Carl Gustav Jung, Bouchra Khalili, Ragnar Kjartansson, Hilma af Klint, Eva Kotátková, Evgenij Kozlov, emma kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Angela Ricci Lucchi, Helen Marten, Paul McCarthy, Allan McCollum, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Linda Fregni Nagler, Bruce Nauman, Paulo Nazareth, Albert Oehlen, Shinro Ohtake, J.D. Okhai Ojeikere, Henrik Olesen, Damián Ortega, John Outterbridge, Pedro Paiva, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Paloma Polo, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Arthur Bispo do Rosário, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Jim Shaw, Cindy Sherman, Laurie Simmons, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Harald Thys, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Erik van Lieshout, Stan VanDerBeek, Danh Vo, Eugene Von Bruenchenhein, David Weiss, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Kan Xuan, Lin Xue, Lynette Yiadom-Boakye, Kohei Yoshiyuki, Sergey Zarva, Anna Zemánková, Jakub Julian Ziólkowski, Artur Zmijewski at La Biennale di Venezia (Venice Biennale) June 1st, 2013 - November 24th, 2013
Posted 6/19/13
That day, the Yellow Emperor showed the poet his palace. They left behind, in long succession, the first terraces on the west which descend, like the steps of an almost measureless amphitheater, to a paradise or garden whose metal mirrors and intricate juniper hedges already prefigured the labyrinth. They lost themselves in it, gaily at first, as if condescending to play a game, but afterwards not without misgiving, for its straight avenues were subject to a curvature, ever so slight, but... [more]
ArtSlant has shutdown. The website is currently running in a view-only mode to allow archiving of the content.

The website will be permanently closed shortly, so please retrieve any content you wish to save.