Bigindicator

Salvador Dalí

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Da3
Crash: Homage to J.G.Ballard   Pick-button-f22fa879042524f5c7b8d2278b2983b8
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Richard Artschwager, Francis Bacon, JG Ballard, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cerith Wyn Evans, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, John Hilliard and Jemima Stehli, Piotr Uklański, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool at Gagosian Gallery - Britannia Street February 11th, 2010 - April 1st, 2010
Posted 3/14/10
‘The choreography of mediatised reality’   --Will Self, ‘The Bounds of Inner Space’ Gagosian Gallery Catalogue 2010 We are not living in the real world, but merely exist in a virtual dimension, held like flies in aspic by shifting screens and filters which drip feed sensations of experience: violence, pleasure, the monstrous, the curious. These filters are precisely created episodes of a world theatre, a continuous and totally involving soap opera. ‘CRASH: Homage to... [more]
Daliinstall390
Dali in Hollywood  
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Salvador Dalí at LACMA - Los Angeles County Museum of Art October 14th, 2007 - January 6th, 2008
Posted 1/1/08
Destino is the major work explicated by dozens of storyboard drawings in ink, with full-scale paintings in oil on Masonite to solidify such an image as the ball surrounded by a Dalinian landscape. The film as realized five or six decades later is but a fraction of the work intended, as the digital technique is incapable of rendering many subtleties and the direction overlooks them (the observing eyes in Dali’s sketch look so intensely that one projects a hand and arm from its eyeball, this... [more]
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