Matthew Felix Sun

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My Favorite Paintings at Norton Simon Museum, Pasadena

What I enjoyed most at Norton Simon Museum in Pasadena near Los Angeles were paintings by masters old and relatively new. My favorite painting was (1918) by Henri Matisse. This Matisse was striking with his surprising color harmony, his usual motifs of exaggerated flowery patterns, and the strange sensuality he achieved. The lying figure, Lorette, we assumed, in her provocative yet pensive pose, looked like mermaid or a siren, thanks to her form-fitting sheen black gown laced with bold... [more]
Posted by Matthew Felix Sun on 12/28

My Featured Painting "Apprehend"

As if I had anticipated a gloomy election season to conclude this year, back in late January, I worked on and finished a painting titled , featuring a lonely bird, enclosed in a disorienting and confused space, sketchily defined by indistinct horizontal and vertical stripes of various thickness and shades of blue, black and yellow. Apprehend Oil on Canvas 20”x24” Completed in 2016 © Matthew Felix Sun The bird, in cautions pose, peers into the uncertain... [more]
Posted by Matthew Felix Sun on 12/24

My Favorite Paintings at the Broad Museum, Los Angeles

I was lucky enough to be able to visit the Broad Museum in Los Angeles shortly after it opened its doors. It was the manifestation of the mind-boggling concentration of wealth in this country; it also argued for the continuation of patronage system even in our era, and more favorably, the vital importance of educating supremely wealthy patrons, the eventually arbiters of fine art. The Broad Museum truly impressed visitors with its glittering contemporary art collections. My... [more]
Posted by Matthew Felix Sun on 12/20

My Featured Painting - New Century's Shangri-La

My recently painting is rather visually intriguing — a colorful and orderly semi-abstract landscape/cityscape, serene and paradisal, being menaced by heavy dark storms swirling above, which threaten to crush down at any moment and bring havoc to the orderly world below. The ironic title unfortunately aptly described the state of our world, if not yet today, soon tomorrow. New Century's Shangri-La Oil on Canvas 30" x 24" Completed in 2017 Originally posted on... [more]
Posted by Matthew Felix Sun on 11/18/17

My Featured Painting - Procession

My monochromatic painting is a visually engaging and topically challenging work, which depicts a group of fantastic birds, treading despondently in a nondescript and barren landscape, carrying a dead companion in the middle of their solemn funeral procession. The overwhelming sadness was manifested in the starkly contrasted white and black color scheme, and the bend and stretched postures of those dejected birds, from gigantic to tiny. The loose brushstrokes and the lack of the last measure of... [more]
Posted by Matthew Felix Sun on 10/5/17

My Featured Painting - Wafting

Despite some success of my 2015 painting , which was recently published by Pomona Valley Review (Volume 11, Summer 2017), I clearly saw rooms for improvement, and recently I made a new version of the painting, titled Wafting — much darker and more dramatic, with additional whimsicality and humor, lent by the black flakes, resembling playful butterflies, darting above the little girl, who was, as in the 2015 version, running away from the viewer, holding strings tied to floating human balloons,... [more]
Posted by Matthew Felix Sun on 9/13/17

Featured Painting – A Young Frechman

Painting human faces and figures, not as means to document, rather, as means to probe and investigate, is hugely challenging and exciting, and thankfully, such is also a the validity of portraiture painting in selfie age. One of my successful attempts was a portrait of a young man, whom I saw near Musée d’Orsay in Paris, and I was intrigued by his serious and even severe countenance, and his chiseled features, intelligent, graceful, vulnerable yet vigorous, an enthralling concoction led to... [more]
Posted by Matthew Felix Sun on 7/17/17

Niobe – An Installation

I have always been drawn to tragic stories, particularly those of cosmic grandeur, often with Greek origins.  The legend of Niobe, a proud princess and mother of fourteen children, seven sons and seven daughters (the Niobids), who boasted of her large family and jeered at goddess Leto, who had only two children, the twins Apollo and Artemis, resulting in unbearable tragedy, was one of my favorites. Gods were not to be mocked at and the offended Leto sent her children to revenge her honor. ... [more]
Posted by Matthew Felix Sun on 5/26/17

Featured Painting - Cascades

Featured Painting – Cascades Inspired by the lush fall colors in the valleys, and rushing cascades in the mountains of Yosemite, which I recently visited, I made a gouache painting, titled , trying to capture the spirits and impression of the marvel, instead of literal shapes and shades. Cascade Gouache on Paper 12”x8” Completed in 2017 A simple and heart-warming souvenir. [more]
Posted by Matthew Felix Sun on 3/15/17

Featured Painting - Cascades

Featured Painting – Cascades Inspired by the lush fall colors in the valleys, and rushing cascades in the mountains of Yosemite, which I recently visited, I made a gouache painting, titled , trying to capture the spirits and impression of the marvel, instead of literal shapes and shades. Cascade Gouache on Paper 12”x8” Completed in 2017 A simple and heart-warming souvenir. [more]
Posted by Matthew Felix Sun on 3/15/17

Featured Painting - Origin

The first painting I completed in 2017, , was an abstract gouache painting, with yellow dusts scattered on a very dark background — red and blue streaks intermingled with swirling thin layer of black paint. A striking contrast and beautiful presentation, perhaps depicting the beginning, or end of the time. Origin Gouache on Paper 10”x8” Completed in 2017 The inception of this piece was a strange one. It was inspired by my aged, multiple-layered, and simultaneously muddied and... [more]
Posted by Matthew Felix Sun on 2/23/17

Featured Painting - Remembrance

My last oil painting completed in 2016, , featured a ghostly profile of a pale and pensive person, occupying lower third of the canvas, head bending down, in deep thoughts, with a barely registered presence. Against this sketchily and thinly painted bust, the strongly accented abstract and dark background, asserted itself strongly, and became obvious the representation of the things to remember, a commentary to his thoughts. Perhaps, the winding road or river in the far background reminded him... [more]
Posted by Matthew Felix Sun on 1/31/17

My Favorite Painting and Installation at Blanton Museum of Art, The University of Texas at Austin

The Blanton Museum of Art of the University of Texas at Austin was a wonderful museum showcasing collection with impressive depth and breadth. A painting, (1946), by German-born American painter Karl Zerbe (1903-1972) was among one of my favorites there, depicting a circus act, a popular subject in early 20th century, but his woman on trapeze was a different specie from other circus troupers recorded by Picasso, who had left us a considerable volume of his observations and thoughts on that... [more]
Posted by Matthew Felix Sun on 1/3/17

My Favorite Paintings at Museum of Contemporary Art (MOCA), Los Angeles

The relatively modest Museum of Contemporary Art (MOCA) in Los Angeles didn't overwhelm people with blockbuster pieces, as other Museums in Los Angele often did, yet it invited conversation and thoughts with some austere pieces. My favorite was a mixed media on paper titled (Skin or Human Remains) (1945) by French artist Jean Fautrier (1898-1964). The strongest impression of this abstract piece was the understated, appealing palette, which consisted of pale brownish yellow and red,... [more]
Posted by Matthew Felix Sun on 12/14/16

My Favorite Paintings at Los Angeles County Museum of Art (LACMA)

What I enjoyed most at Los Angeles County Museum of Art (LACMA) were paintings from modern German masters.  My favorite was (1945) by Max Beckman. This was a typical mature Beckmann in his most probing mold. This landscape confronted us with a section of a massive industrial bridge, bold and strong chrome colored beams imprisoned by thick black outlines, chilly looking, partially blocking the view of a narrow wharf, in which haphazardly moored ships of various sizes, shapes and placements.... [more]
Posted by Matthew Felix Sun on 12/9/16

My Favorite Sculptures at J. Paul Getty Museum - Getty Villa, Los Angeles (Malibu)

Getty Villa by the sea was a heaven for lover of antiquities.  Among many Egyptian giants and Greek gods, I found most memorable a group of sculpture of a seated man and the flanking sirens, creatures of part bird and part woman. The real focal points were those ladies, whose careful postures belied their nature, as if they were in break from their fatal performance, and their nature was just a goodie goodie matron, or some prim figures from Victorian era, though they were from ancient Greece,... [more]
Posted by Matthew Felix Sun on 12/5/16

My Favorite Paintings at J. Paul Getty Museum - Getty Center, Los Angeles

What I found most interesting at J. Paul Getty Museum - Getty Center in Los Angels were European paintings, and my top choice was (1804) by Spanish painter Goya — a formal portrait of an aristocratic lady in dramatically contrasting black dress with golden braids, pink shoes, and white lacy mantilla, with provocatively exaggerated makeup, standing atop a hill, a closed fan in hand, and holding herself like a seasoned stage trooper. Goya employed broad and quick brushstrokes to establish her... [more]
Posted by Matthew Felix Sun on 12/1/16

My Favorite Paintings at Yale University Art Gallery

Yale University Art Gallery's art collection had an amazing depth, whose collections dated back to the antiquities, but the paintings impressed me most were modern works. My favorite was an Edward Hopper, (1951), which, in contrast to his usual gloomy and enclosed settings, was surprisingly sunny and airy, though not without some uncertainty and vulnerability. The beautiful shaded green and yellow floor contrasted wonderfully with brilliant blue sky and lapping waves see through huge... [more]
Posted by Matthew Felix Sun on 11/27/16

Featured Installation - Wilting Flowers

Recently I created an installation and fully documented the creation and installation processes. This new effort was spurred by my continued fascination with paper material – delicate, malleable, and transitory, characteristics well suited for hinting at, versus representing, a world full of fragility and vulnerability, constantly under the threat of total destruction. My local newspaper, “The San Francisco Chronicle”, served as the foundation: a segment of our time, distilled and... [more]
Posted by Matthew Felix Sun on 11/26/16

My Favorite Paintings at Anderson Collection at Stanford University

Anderson Collection at Stanford University was built to showcase an Anderson family's modern art collection. I found (1982) by Terry Winters very enchanting. This ethereal garden, in pleasing shades of burnt umber and blended and mingled with white tint, was at the same time earthy, solid, airy, and unreal. The strange, insect-looking flora, in shades of steely blue, scattered around into the depth, like the dispersing dandelion seeds, animated this fenced in paradise. Theophrastus'... [more]
Posted by Matthew Felix Sun on 11/18/16

My Favorite Paintings at Iris & B. Gerald Cantor Center for Visual Arts at Stanford University

Iris & B. Gerald Cantor Center for Visual Arts at Stanford University was known for its amazing Rodin sculpture collections, but its painting collections were also remarkable. My favorite was a semi-abstract by Richard Diebenkorn, titled . This painting was striking in its bold division of the canvas into several flat areas of brilliantly contrasting colors - bright blue, neutral orange and muted green, plus a narrow stretch of varying gray. Some details of depicted objects, large or... [more]
Posted by Matthew Felix Sun on 11/15/16

My Favorite Engravings at Seattle Art Museum

What impressed me most in Seattle Art Museum were two amazing engravings, both by the great German artist Albrecht Dürer (1471-1528). The first was titled (Knight, Death and Devil) (1513). This allegorical piece zoomed in on a weary-looking knight amounting a sturdy steed, accompanied by two goat-like strange creatures, one on an exhausted horse to the knight's right — Death, identifiable by the hourglass in his hand reminding the knight of the shortness of life, and the other one following... [more]
Posted by Matthew Felix Sun on 11/11/16

My Favorite Artifacts in Phoebe A. Hearst Anthropology Museum, UC Berkeley

Phoebe A.  Hearst Museum of Anthropology of University of California, Berkeley has a huge trove of wonderful and sometimes strange artefeacts from all over the world and many of its prized collections are those from the ancient civilizations. The most amazing pieces are a group of Egyptian mummy portraits. These ancient works astonished with their verisimilitude. Perhaps, there were some customary beautification, but these portraits really strove to capture the likeliness of the deceased,... [more]
Posted by Matthew Felix Sun on 11/8/16

My Favorite Paintings at Berkeley Art Museum / Pacific Film Archive

        BAMPFA, the UC Berkeley Art Museum and Pacific Film Archive, is the visual arts center of the University of California, Berkeley, with a proclaimed mission to inspire the imagination and ignite critical dialogue through art and film.  One of the most striking paintings I saw in their inaugural exhibition at the new downtown location was by Hyun-Sook Son, a painting of a woman half-hidden behind a gauzy white curtain on the left half of the painting,... [more]
Posted by Matthew Felix Sun on 11/1/16

My Favorite Paintings at Art Institute of Chicago

One of the largest art museums in the US, the Art Institute of Chicago dazzled visitors with its vast arrays of treasures.   My favorite was by El Greco, dating back to the beginning of the 17th century. The first impression of the painting was the freshness and cleanness — the rain-washed blue sky, the gleaming white pelt of the horse, the polished face, drape and armor of the well-groomed saint, and even the taut and well-scrubbed skin of the beggar — all these gave the painting an... [more]
Posted by Matthew Felix Sun on 10/28/16

My Favorite Drawing and Artefact at Morgan Library & Museum in New York City

Morgan Library & Museum in New York City is one of many jewels in that grand city. I was great touched by a drawing study of Peter Paul Rubens, , done in lack chalk, heightened with white chalk, on light gray paper. This drawing, a preparatory work for painting Daniel in the Lions' Den, depicted the agonized youth in supplication. The heightened facial emotion and the tensed torso of the muscular sitter, the bold outlines, the effective shading, and the detailed and accurate facial and... [more]
Posted by Matthew Felix Sun on 10/25/16

My Favorite Paintings at Solomon R. Guggenheim Museum, New York City

Solomon R. Guggenheim Museum in New York City was an iconic modern building, and I was a bit surprised to see some paintings from somewhat older era - early 20th century, which in current art market has almost become "classical". My favorite painting was (1909-10) by French painter Robert Delaunay (1885-1941). This monochromatic painting depicted the tall nave of the cathedral and the interlocking buttresses, elongated, soaring, resembling a giant pipe organ, or a glimpse of the hollow... [more]
Posted by Matthew Felix Sun on 10/22/16

Featured Painting - One Fine Day

My 2007 oil painting soon will conclude its five-month long exhibition at at McGuire Real Estate Gallery in Elmwood District, Berkeley. This painting, in somewhat sickly moon light tone (pale Prussian blue), depicted a school of agitated and thrashing fish, tightly packed in confining space, bulging eyes telegraphing anguish, straining to escape of a deadly trap they had unfortunately fallen into. The ironic title I chose, perhaps ought to be ascribed to some lucky fishermen. And that spoke... [more]
Posted by Matthew Felix Sun on 10/18/16

My Favorite Paintings at Neue Galerie, New York City

Practically a next door neighbor to the mammoth Metropolitan Museum, Neue Galerie in New York City was a modest and exquisite museum, which specializes in early twentieth-century German and Austrian art and design, and has become much wider known due to its addition of by Gustav Klimt, after a landmark judgement over its ownership, claimed by Österreichische Galerie Belvedere in Vienna, and the original owner's heir, resided then in the US. That Klimt was indeed amazing and mesmerizing;... [more]
Posted by Matthew Felix Sun on 10/14/16

My Favorite Paintings at New York Museum of Modern Art (MOMA)

One of my favorite museums is the New York Museum of Modern Art (MOMA), of whose early 20th century European painting collections I am particularly partial. My most favorite was a triptych by the German painter Max Beckmann, the mystical and political (1933-35). These beautifully rendered hallucinatory, menacing, foreboding, and just slightly hopeful and redemptive panels, aptly and sadly captured one of the most horrifying moments of human history. These paintings were the answers to... [more]
Posted by Matthew Felix Sun on 10/8/16
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