Bigindicator

Sanja Ivekovic

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Does the Personal and the Political Make For Good Art?   Pick-button-f22fa879042524f5c7b8d2278b2983b8
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Mária Bartuszová, Valie Export, Tomislav Gotovac, Sanja Ivekovic, Sejla Kameric, Bela Kolárová, KwieKulik, Denisa Lehocká, Ulrike Lienbacher, Natalia LL, Dorit Margreiter, Tanja Ostojic, Hans Scheirl, Katerina Sedá, Artur Zmijewski at Austrian Cultural Forum New York September 23rd, 2008 - November 29th, 2008
Posted 10/26/08
is perhaps a year too late, and after having endured the plethora of feminist-inspired exhibitions (some very good and some very bad) in and around New York City during 2007, I question the importance of yet another. One could argue that what makes this exhibit different is its focus on central Europe, a traditionally neglected region in the canon of art history. The curator of the exhibit, in all the didactic materials, emphasizes the political and social climate that has shaped gender and... [more]
Apex1
That Which Cannot Be Remembered   Pick-button-f22fa879042524f5c7b8d2278b2983b8
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Zbynek Baladran, Alejandro Cesarco, Felix Gmelin, Sanja Ivekovic, David Maljkovic, Ahmet Ögüt, Katerina Seda, Artur Zmijewski at Apexart September 19th, 2007 - November 3rd, 2007
Posted 10/13/07
Croatian curators Antonia Majaca and Ivana Bago present a group of schematically representational works that challenge the role of narrativity in remembering the past. Katerina Seda’s project, It Doesn’t Matter (2005), includes a film and a thick volume of drawings created by her grandmother, who recalls and re-creates from memory over 650 goods and prices from her lifetime of work as the manager of a tool shop in a small village in Moravska during socialism. In this collection, history and... [more]
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