Alan Rankle

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Untitled Painting II, 2009 Oils On Canvas 153x213cm © Alan Rankle
Hebden Water, 2001 Oils On Canvas 152x122cm © Alan Rankle
En Pays Cathare, 2006 Oils & Acrylics On Canvas 80x100cm © Alan Rankle
Walden, 2002 Oils On Canvas 153x213cm © Alan Rankle
Study for Bargain Buddha at Chadderton Asda, 2011 Oils On Canvas 51x41cm © Alan Rankle
Study for Calder Heights, 2011 Oils On Canvas 41x41cm © Alan Rankle
Wilderness Approaching, 2012 Oils On Canvas 100x80cm © Alasn Rankle
Untitled Painting VII, 2012 Oils On Canvas 100x80cm © Alan Rankle
Montsegur II, 2012 Oils On Canvas 80x100cm © Alan Rankle
Untitled Painting VIII, 2012 Oils On Canvas 150x200cm © Alan Rankle
Another Green World, 2012 Oils On Aluminium 76x91cm © Alan Rankle
Enigma: Ruisdael + The Void, 2012 Oils On Canvas 50x40cm © Alan Rankle
Continuum, 2012 Mixed Media On Pigmented Ink Jet 20x20
Continuum , 2013 Mixed Media On Pigmented Ink Jet 20x20
Quick Facts
Birth year
Lives in
Copenhagen & St. Leonards-on-Sea
Works in
Copenhagen & St. Leonards-on-Sea
Rochdale college of art, 1968
Goldsmiths, University of London
Representing galleries
Federico Rui, Italy; , Milan
figurative, video-art, conceptual, landscape, photography


Alan Rankle is a British artist, born in Oldham, LancashireEngland in 1952. He studied at Rochdale School of Art (1968–70), andGoldsmiths, University of London (1970–73). He is one of the leading artists of his generation to explore social and environmental issues of the day through Landscape Art. His first exhibition, held at the Institute of Contemporary Arts, London, was a multi-media performance/installation based onChaucer's The Pardonner's Tale (1973). Since which time during a thirty year career he has worked primarily as a painter.

Rankle takes as his main subject the development of landscape art as a concept related to changes in attitude to the environment. In some works he treats the entire history oflandscape painting almost as a found object; manipulating and cross-referencing styles and techniques from diverse periods and cultures, within a post-modernist fusion of abstract,trompe l'oeil, and figurative imagery. In "Landscapes for the North" Maidstone Museum 1996 he states: "Styles are emblems of the ways we can shift our attention".

From 1973 feeling that his work, while well informed by conceptual art practice, lacked a realistic visceral dimension, he immersed himself in a study of the techniques of 17th Century Dutch Masters, the Abstract Expressionists and significantly the Ch'an (Zen) painters and calligraphers of China. During 1973–76 he studied Taoist and Ch'an Buddhist Arts, including T'ai Chi Ch'uan, with Dr. Liu Hsiu Chi. Fellow students at the Liu Academy included the musician Francis Monkman, and Fritjof Capra author of 'The Tao of Physics.' During this time Rankle's pursuit of his interests in Old Master painting led him to further studies and later employment in the field of art conservation

Bargain Buddha at Chadderton Asda 2009
oils on canvas, 100x80cms
Private collection Denmark

Following a group exhibition at LYC Gallery in Cumbria, with Andy Goldsworthy and Michael Jepson; Rankle's work in landscape art became starkly politicised. In the summer of 1982 on his first trip to Finland he became aware of the effects of acid rain on the lakes and forests of Scandinavia, and the patently inadequate response of the establishment. A series of landmark installation/performance pieces followed intended to draw attention to environmental issues (often as fund raising events for Arts for the Earth, the art 'wing' ofFriends of the Earth). These included a 30 metre long scroll painting produced on the top ofBeachy Head in Sussex with his collaborator Jan Stephens, and several notable pieces with the left-field artists group Order out of Chaos; one of which 'Discarded Sculptures' (1986) was the first project to bring his work to the attention of a wider public.

Running from the House 2009
oils on canvas, 80x100 cms
Private collection, London

A period of activism in which he attempted to work within the existing mores of the conventional art world culminated in 'Earthscape' (1991), a large scale performance/installation created in the form of an International Competition on a theme of 'Environmental Solutions' where artists such as Andrew Bick and Luke Elwes were invited to submit works implying a positive response to the burgeonning environmental crisis. Curated with Christine Goldschmidt for the Hastings Trust, this project involved a wide range of collaborators including Mike von Joel, Laetitia Yhap, Andrew Graham-Dixon (who were the judges of the competition), Art in Ruins, Lynne Green, Nick Wates, and the book and exhibition designer Jeremy Brook.

Since his 1993 exhibition 'Riverfall & Other Works' at Southampton Art Gallery, Rankle has concentrated on painting, with notable exhibitions at Maidstone Museum; Radicev Museum, Saratov, 1996; Danielle Arnaud/Clink Wharf Gallery, 1998; Folkstone Museum, 1999; as well as numerous gallery shows in Europe, Scandinavia, and USA.

A first Retrospective Exhibition 'Landscapes for the Turning Earth' was held at Gallery Oldham 2006/7.

A second Retrospective - "Selected Works 1993–2009" at Fondazione Stelline, in Milan during February - March 2010, also features a major collaborative work with the installation artist Kirsten Reynolds entitled "On the Edge of Wrong".

  • Anthony Wallersteiner 'Alan Rankle:Terre Verte' Danielle Arnaud/Riverfall Press 1998
  • Laurence Bristow-Smith 'Alan Rankle:Landscapes for the Turning Earth, Paintings 1986–2006' Gallery Oldham 2006
  • Roger Woods 'Alan Rankle at Southampton Art Gallery' Art-Line International, Winter 1993
  • Imy Antal 'Alan Rankle: Light + Meaning' Galleria Seriola, Finland, 2006
  • Emanuelle Beluffi 'Alan Rankle & Kirsten Reynolds:On the Edge of Wrong' First Gallery/Italian Factory 2010
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