Portrait: Katie Stout Defies Genre with Her Touchable, Usable, Body Positive Artworks

by Freunde von Freunden x ArtSlant
Freunde von Freunden. In a vast warehouse in the Bed-Stuy neighborhood of Brooklyn, Katie Stout crafts couches out of various textiles and her signature Girl Lamps out of clay, celebrating womanhood with colors and textures in the form of functional pieces.                                                           Stout’s creative process is bold, experimental, and constantly evolving—during our studio visit she was feverishly finding a way to support a desk she was assembling out of... [more]
Posted by Freunde von Freunden x ArtSlant on 2/15

The ArtSlant Prize X: Apply Today + Juror Announcement!

by The Artslant Team
Round 1 of the ArtSlant Prize X closes February 26th. Apply today for your chance at $5k in prizes and an exhibition in New York during Armory Week! To apply, sign in to, click the menu navicon  at the top and select ArtSlant Prize. The  will take place during Armory Week in New York at SPRING/BREAK Art Show, March 6–12, 2018, booth 2231. Purchase tickets for the fair here. ROUND 1 JURORS:     Roberto Acosta Oyarzo is printmaker, film maker and... [more]
Posted by The Artslant Team on 2/15

Process Park Artist Residency: Final Days to Apply!! Deadline: Feb 18

by The Artslant Team
We are proud to announce a new experimental residency created by ArtSlant in collaboration with Chashama. Process Park is a funded four-week residency for 3-4 artists at chaNorth Artist Residency in Pine Plains, NY, the goal of which is to learn to live and work better through a process-oriented approach to art making and existing. The residency will conclude with an exhibition/symposium in New York that will be conceived and planned as a group during the... [more]
Posted by The Artslant Team on 2/14

Lorna Mills Cracks The Great Code

by Christian Petersen
  If you have even a passing interest in net art then you are likely familiar with the work of Lorna Mills. The Toronto-based artist and curator has been hugely successful in promoting the medium to a wider audience, both through her own work and as a conduit for other artists. In her own practice, Mills works mainly in the GIF format, creating digital collages with manipulated elements of found GIFs. Her work brazenly straddles the line between “high art” and low (digital) culture with... [more]
Posted by Christian Petersen on 2/14

What Makes Up the Parisian Mystique? Part Two

by Ali Fitzgerald
  Last week I asked what decorative beauty inspires in us. This week, I felt the overwhelming power of ornamentation as I walked around the Notre Dame Cathedral. The mouths of its infamous gargoyles were swollen with icicles because of a recent snowstorm. I wondered: besides being grotesquely cute, what is the purpose of gargoyles? Architecture and built structures have often been used as propaganda to alter the attitudes and ideals of citizens. Giant towers and buttresses... [more]
Posted by Ali Fitzgerald on 2/13

Announcing the ArtSlant Prize IX Winners

by The Artslant Team
We are very excited to announce the ArtSlant Prize IX Winners. Thank you all the jurors from the ArtSlant Prize IX showcase and congratulations to all our juried winners! It is from this pool of juried winners that ArtSlant’s Editorial Board selected the ArtSlant Prize Winners. The ArtSlant Prize IX Exhibition will take place during Armory Week in New York at SPRING/BREAK Art Show, March 6–12, 2018, booth 2231. Purchase tickets for the... [more]
Posted by The Artslant Team on 2/12

What Makes Up the Parisian Mystique? Part One

by Ali Fitzgerald
  My gossamer vision of Paris, flimsy and informed by movies, comprises the following things: Douchebag Woody Allen characters who love the rain Floral perfumes Getrude Stein and her band of modernist cool kids Stylized, angry cats And Art Nouveau. As I was walking around the city (in the rain) I noted the lilting, romantic flourishes of Art Nouveau all around me. Some signs were from the late 19th century, while others were made to look like they were. Why... [more]
Posted by Ali Fitzgerald on 2/8

What’s Lost in the Art World’s Fixation on Price?

by Antonia Ward
. So goes our education in the alchemy of divining an artwork’s appeal, as delivered by one of the collectors featured in Nathaniel Kahn’s new documentary The Price of Everything. Through candid interviews with artists and industry specialists the film takes us on a pacey journey through the high end of the commercial art world. What does our current relationship with art, creativity, and the commercial structures we have built around them really say about our appreciation of value? With... [more]
Posted by Antonia Ward on 2/6

Peddling Patriarchy, Profiting from Pain: The Art World’s Funding Problem

by Andrea Alessi
In October 2017, and the New Yorker published penetrating articles linking the Sackler family, known to most as patrons of the arts, with the growing opioid crisis in America. The unsympathetic accounts described a family whose empire was built on the aggressive marketing of painkillers, particularly OxyContin; a family that has for decades gone out of their way to keep their name separate from the drug company, Purdue Pharma, and associated activities from which they derived their... [more]
Posted by Andrea Alessi on 2/5

Doraelia Ruiz Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? Wow this question, for me, is really loaded. As an artist I try my best to communicate my experience as a human being living in this time and age. I've done work about everything from heartbreak to social class to mass commercialization—you name it. In the end I always work from a place of passion. What might make me passionate today might make me apathetic tomorrow. My paintings can sometimes “die out” because I look at them and... [more]
Posted by The Artslant Team on 2/4