Bigindicator

tagged: video-art
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Wednesday Web Artist of the Week: Monia Ben Hamouda

by Christian Petersen
Milan-based artist Monia Ben Hamouda may not seem like a “web artist” in the traditional sense because her work isn’t primarily about or made to be specifically displayed online. But it’s also true that what constitutes a net, web, or new media artist today is increasingly hard to define. Ben Hamouda’s work has an almost intangible quality that evokes similar feelings to art more traditionally deemed “internet art.” While much of her work could be considered sculptural in the strict,... [more]
Posted by Christian Petersen on 7/5
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Eugene Macki Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? I am trying to project the thing(s) that excites me. For example, I am very interested in materials, what it means to exist, and the length of space between multiple points. My entire oeuvre begins with the desire to learn. I am not trying to teach the audience anything. I am simply having a conversation with myself, and the medium I work with. What is an artist’s responsibility? Every artist will have a different answer... [more]
Posted by The Artslant Team on 6/26
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Wednesday Web Artist of the Week: Milos Rajkovic aka Sholim

by Christian Petersen
Milos Rajkovic aka Sholim is a Belgrade-based gif artist and “digital surrealist” who creates wonderfully mind-bending visual puzzles. Behind Rajkovic’s visual wit is a subversive sense of humor that he puts to work tackling diverse socio-political topics like corporate culture, religion, and our dependence on technology. His meticulously constructed tableaux are often created from manipulated vintage found footage giving them an uncanny quality that defies time and space. Welcome to the... [more]
Posted by Christian Petersen on 6/21
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40 Years On, Skulptur Projekte Münster Keeps Troubling the Idea of “Public Space”

by Benjamin Busch
Distinct from the droves of international biennales and triennials birthed in recent decades, the Skulptur Projekte Münster (Sculpture Projects Münster) sets itself apart as an unparalleled cultural moment once every 10 years that places strong emphasis on site-specificity and encourages long-term artistic study. The decennial’s first edition in 1977, curated by Klaus Bussmann and Kasper König, sparked controversy by radically implanting works of renowned sculptors in Münster’s conservative... [more]
Posted by Benjamin Busch on 6/15
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Wednesday Web Artist of the Week: Eva Papamargariti

by Christian Petersen
Originally from Greece and based in London, Eva Papamargariti reflects and analyzes the rapidly transforming relationships between “material and immaterial” matter in our new digital world. Papamargariti’s work contains complex visual (and often audio) collages in which impossible organic forms constantly evolve, mutate, and entwine. No matter how utterly alien her work can seem, it retains consistent feelings of a deep human familiarity—which only adds to its uncanny sensibilities. Lurking... [more]
Posted by Christian Petersen on 6/7
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Art World Irreverence Meets Cultural Politics in AVAF’s Self-Appropriating “Re-Transpective”

by Neil Vazquez
Eli Sudbrack isn’t your typical art world denizen. One half of the collective assume vivid astro focus (or AVAF for short), the Brazilian-born Sudbrack currently splits his time between New York and his adopted hometown of São Paulo, where he crafts work at the intersection of pop culture, queer, and net aesthetics, all with an anti-establishment sensibility. Art world punk rockers, assume vivid astro focus have collaborated with the likes of Lady Gaga and Rei Kawakubo of Comme des Garçons,... [more]
Posted by Neil Vazquez on 6/9
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A Body in Crisis: Can the Aesthetics of Horror Embody Fear?

by Stephanie Cristello
The affliction of horror is an experience both embodied and detached. White washes over your face, the blood rushes from your cheeks toward more essential functions. Capillaries constrict, drawing what they can spare. Your body hollows. Fear is rooted in uncertainty, but its sensation is a bodily affliction as much as a mental one. Entire markets have been built on its replication, assimilation, and distribution. To feel horror is unbearable, but to experience its aesthetized and familiar... [more]
Posted by Stephanie Cristello on 6/6
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Simon Birch’s 14th Factory Mirrors the Decline of Globalization

by Joel Kuennen
As the European Union signals its distancing from a seven-decade transatlantic alliance, as the United States joins Nicaragua and Syria as the only other nations to demure from the Paris Climate Agreement, as a realignment of global hegemonies occurs before our eyes, there is no better time to reflect on the narrative of globalization. , a warehouse-sized installation currently open in Los Angeles, is the culmination of a life’s work for Simon Birch. A Brit, transplanted to Hong Kong for the... [more]
Posted by Joel Kuennen on 5/31
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James Bridle’s Self-Driving Car Steers Into Slippery Questions About Automation

by Benjamin Busch
According to artist, writer, and theorist James Bridle, the autonomous car and the issues it raises stand in for many of the questions facing humanity today: what will ultimately result from our relationship with technology and artificial intelligence? How will we collectively adapt to world where jobs—like truck driving—have been automated out of existence? How will we deal with increasingly opaque, complex systems of governance and exchange? Bridle, whose work spans a variety of topics... [more]
Posted by Benjamin Busch on 4/26
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Wednesday Web Artist of the Week: SPAMM

by Christian Petersen
Spamm is an ambitious annual exhibition that gathers together a dizzying array of video work by net artists. Spamm was formed in France in 2011 by Michaël Borras a.k.a SYSTAIME, who invited Ellectra Radikal to start co-curating in 2013.  The show freely unites undiscovered new talent with some of the most highly regarded artists now working in new media. This year’s edition, ϟℙ∀ℳℳ▁ℙϴШ€ℜ, features 142 artists and functions as a fascinating overview of the wild world contemporary net... [more]
Posted by Christian Petersen on 4/19