Bigindicator

tagged: video-art
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Katya Grokhovsky Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? As a child, I had difficulty in expressing myself verbally, so I used drawing and movement as a way to display my vision to the world. I am still doing that today, utilizing my art to communicate the often invisible, absurd, grotesque, and difficult aspects of human experience as it pertains specifically to a female immigrant person, which is what I inhabit. I am interested in politics of protest to the prescribed notions of... [more]
Posted by The Artslant Team on 12/11
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At Miami's All-Women Art Fair Poorgrrrl Channels the Weight of Womanhood

by Audrey L. Phillips
Poorgrrrl is a persona that arouses pity in her audience. The Miami-based artist’s performances are fragmented, confessional, musical, and often incorporate lighting, costume, and installation. They are always accompanied by sound, produced by her collaborator, byrdipop. For Poorgrrrl, the music entertainment industry is a platform for performance art. The unease she generates onstage can sometimes leave the audience feeling confused or disappointed when her performances purposefully don’t... [more]
Posted by Audrey L. Phillips on 12/6
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Christopher Tavares Silva Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? I use the languages of visual art and sound because I’m attracted to their poetic and transformative potentials, and though I enjoy weaving in literal references and representations of things, I’m equally if not more interested in the ways that the pure physical energies of sound, color, and form communicate. It’s precisely because audio/visual languages operate more viscerally and strangely than words, that I continue to experiment... [more]
Posted by The Artslant Team on 12/4
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LaToya Ruby Frazier in Conversation

by Jessica Lanay
Writer Jessica Lanay spoke with LaToya Ruby Frazier on the occasion of her concurrent exhibitions at Silver Eye and the August Wilson Center in Pittsburgh. The latter exhibition, , both documents and is shared with artist Sandra Gould Ford. You can read the review of the Silver Eye exhibition, The Notion of Family, here. A transcript of the interview follows:   Jessica Lanay: When I look at the photographs at Silver Eye Gallery and the August Wilson Center I see a complicated narrative... [more]
Posted by Jessica Lanay on 12/1
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Intimate Debris: Nature, Industry, and the Body in the Photography of LaToya Ruby Frazier

by Jessica Lanay
LaToya Ruby Frazier’s photography braids together the intimacies between landscape, industry, and the Black woman’s body. Impactful, private, and silver ensconced, her images reveal a sometimes wonderful and other times tragic interdependency. In two recent Pittsburgh exhibitions— at Silver Eye Center for Photography and On The Making Of Steel Genesis: Sandra Gould Ford at the August Wilson Center, a shared exhibition of photography by Frazier and Sandra Gould Ford—Frazier captures the... [more]
Posted by Jessica Lanay on 12/1
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Faith Holland’s Speculative Fetishism and Digital Self-Care

by Olivia B. Murphy
“Best viewed without underwear,” reads the vinyl on the wall as you walk into the gallery. Below the text is a fishbowl full of what looks like other people’s underthings, left or “donated” to the exhibition. This is by no means a command, rather a “completely consensual suggestion,” says artist Faith Holland. Which is an apt descriptor of much of her show at TRANSFER Gallery in Bushwick. On the opposing wall is her recent collection, Queer Connections (2017). The installation is a punny... [more]
Posted by Olivia B. Murphy on 11/28
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Rachel Frank Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? My work uses sculpture, video, and performance to explore the tensions between the natural world and the manmade. Mixing environmental theory, political activism, and research into natural history, my work makes connections between personal histories and contemporary issues concerning the natural world, extinction, and loss that we collectively face today. What is an artist’s responsibility? I personally think an artist has a... [more]
Posted by The Artslant Team on 11/27
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Wednesday Web Artist of the Week: The Wrong Edition

by Christian Petersen
The Wrong is a decentralized biennial exhibition, the largest of its kind, dedicated to contemporary digital art and culture. Now in its third edition, simply titled , The Wrong features a tremendous number of curated exhibitions, projects, and events—both online (in “pavilions”) and off (in “embassies”). Because of the sheer magnitude of content, tackling the biennial can be an overwhelming prospect, even for the initiated. For this week’s Wednesday Web Art column, we’re easing you into the... [more]
Posted by Christian Petersen on 11/15
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Quantum Natives: Meet the Artist Crew Charting New Digital Terrain

by Siobhan Leddy
It’s easy to get lost in the Quantum Natives universe. The global-collective-slash-platform-slash-record-label is tricky to summarize, and even trickier to navigate. Fortunately, though, there’s a map. Inspired by the world-building practices of fantasy and science fiction, this strange, debased Google Map allows the visitor to meander through its wash of dreamy colors and unidentifiable symbols. Each project icon floats ominously above its surface, casting long gothic shadows. This is... [more]
Posted by Siobhan Leddy on 10/23
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Wednesday Web Artist of the Week: Naomi Cook

by Christian Petersen
Montreal-based multi-media artist Naomi Cook says her work has grown out of an interest in “engravings, sound, and visual representations of data.” Her eclectic work represents a true integration of traditional techniques with modern thinking and concepts. , a series in which Cook digitally scans her drawings and converts them to sound, is but one clear example of this fusion. Her incorporation of multiple mediums into her projects is mirrored by the diversity of her subject matter. These... [more]
Posted by Christian Petersen on 10/18