Bigindicator

tagged: video-art
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In Cambodia, Contemporary Artists Shed Light on Social and Environmental Issues

by Dave Willis
Riding through downtown Phnom Penh in a tuk tuk on my way to Sa Sa Bassac—the leading contemporary art gallery in Cambodia—I saw about 100 people marching in the street, holding signs and chanting slogans while flanked by cops on every side. I asked my guide what it was all about. She told me they were protesting land grabs by developers, who employ arsonists to burn down shanty towns to make way for apartment towers, which often then sit vacant, serving as investments to hide dirty... [more]
Posted by Dave Willis on 3/27
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In Search of a Body: A.K. Burns’ Ode to Endurance

by Osman Can Yerebakan
One of the most unassuming artworks in A.K. Burns’ exhibition and residency, , is perhaps also the best reflection of the artist’s three-month tenure at the New Museum and her concurrent Callicoon Fine Arts exhibition, Fault Lines. Nestled at the end of a corridor on the museum’s fifth floor, Post Times (drop open) straddles the rift between utility and inertia, the body and environment, endurance and decay. A thin wooden latch, running the length of two closet doors is fully plastered with... [more]
Posted by Osman Can Yerebakan on 3/14
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Wednesday Web Artist of the Week: Sofía Córdova

by Christian Petersen
Sofía Córdova is a Puerto Rican multi-media artist and musician currently based in Oakland, California. Her work collides the sacred, mystical, and ancient with the disposable obsessions of our consumer age. These juxtapositions are not arbitrary, though; Córdova draws distinct lines between the ultra-traditional and the hyper-modern to tell a deeply engaging story mediated through the lens of a Puerto Rican artist living in the United States. Córdova frequently reflects on her Caribbean... [more]
Posted by Christian Petersen on 3/8
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They Had Whole Buildings For That (Now We Use Diapers)

by Christina Catherine Martinez
Only 90s kids would know. Only 80s kids would know. Only Gen-X or Y or Z-ers would know. Jon Rafman might know, but he also knows that prolepsis, anachronism, and non-location are more suitable benchmarks for this twisted ouroboros we’ve made of time. At Sprüth Magers in Los Angeles, the juxtaposition of immersive films by Rafman and Stan VanDerBeek, made decades apart, charts a rising threshold of popular vision that correlates to a kind of political decline—the history of cinema as... [more]
Posted by Christina Catherine Martinez on 3/6
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Hannah Black Conjures a New Dawn in the Timeless Loop of History

by Audrey L. Phillips
Berlin-based artist Hannah Black’s solo presentation at New York’s Bodega lingers like a heavy fog drawn from today’s political climate. The title, short for Socialism or Barbarism is borrowed from Rosa Luxemburg’s early twentieth century wager on the future of capitalism. Its prescience is foreboding. Entering the gallery, I am confronted by a clay audience of roughly shaped creatures. Black’s fingerprints define and add texture to these tiny spectators, most of which are wearing cotton... [more]
Posted by Audrey L. Phillips on 2/25
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Wednesday Web Artist of the Week: Martina Menegon

by Christian Petersen
Martina Menegon is an Italian new media artist and educator currently based in Vienna, Austria. Her art explores “the instability and ephemerality of the human body as well as the alienation from physicality in today’s digital age, questioning the gap between real and virtual, flesh and data.” Menegon’s expression of these ideas range from uncanny scenes of endless, undulating fleshy figures to far more personal depictions of her own digitally distorted physical form. Her work reveals the... [more]
Posted by Christian Petersen on 1/11
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Under the Radar: Danielle Williamson | Jenyu Wang | Anna Fafaliou

by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Danielle Williamson – Tel Aviv-Yafo Jenyu Wang – New York Anna Fafaliou –... [more]
Posted by The Artslant Team on 1/6
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Wednesday Web Artist of the Week: Yoshi Sodeoka

by Christian Petersen
Yoshi Sodeoka is a Japanese artist who moved to New York to attend Pratt Institute in the late 80s and has made it his home ever since. The work he started there, using the first wave of accessible digital tools, could be seen as a direct precursor to what became the modern new media art movement. He was a very early proponent of using the internet as a blank canvas for a new kind of creativity, exploring those possibilities with his groundbreaking work at Word.com, one of the first web... [more]
Posted by Christian Petersen on 12/14/16
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Retrogarde—The Threshold of History

by Stephanie Cristello
In the initial stages of writing this piece, I penned a question: It was the morning of November 9, 2016. The question concerned the boundary of public memory. The limit of how this memory is transformed into action. It was a question posed on a precipice, in both popular definitions of the term—between falling off the brink of one territory, and the inception of a new space. That was on November 9. A question about temporary suspension, the moment before one thing becomes the next. I think... [more]
Posted by Stephanie Cristello on 12/6/16
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Pipilotti Rist Unleashes the Comforts and Terrors of the Technological Sublime

by Olivia B. Murphy
Entering the three-floor exhibition currently on view at the New Museum, everything immediately slows down. The lights are dim, colorful projections hitting almost every wall and surface, illuminating people and subsequently turning them into shadows. Some visitors sit, splayed out on a plush carpet to watch the wall-to-wall two-channel video projections, while others drift through flowing gauzy curtains, a soft warbling tune flooding the air. This digital playground is Pipilotti Rist’s the... [more]
Posted by Olivia B. Murphy on 11/18/16