Bigindicator

tagged: sculpture
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Portrait: Katie Stout Defies Genre with Her Touchable, Usable, Body Positive Artworks

by Freunde von Freunden x ArtSlant
Freunde von Freunden. In a vast warehouse in the Bed-Stuy neighborhood of Brooklyn, Katie Stout crafts couches out of various textiles and her signature Girl Lamps out of clay, celebrating womanhood with colors and textures in the form of functional pieces.                                                           Stout’s creative process is bold, experimental, and constantly evolving—during our studio visit she was feverishly finding a way to support a desk she was assembling out of... [more]
Posted by Freunde von Freunden x ArtSlant on 2/15
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A Dog in the Fight: The Exploitation of Animals in Art

by DARREN JONES
We kill them, hunt them, destroy their habitats and communities, display them, wear, buy, use, and discard them. Occasionally we attempt to save them from what we've done. Animals are the original victims of helotry, oppressed and wherever possible forced into servitude in pursuit of humankind’s betterment. Our presumption of ownership, and mistreatment in the name of religious rituals, clothing, entertainment, or work is the eternal hallmark of our depravity. In the art world, animals, dead... [more]
Posted by DARREN JONES on 1/26
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Lauren C. Sudbrink Answers 5 Questions

by The Artslant Team
Lauren C. Sudbrink.   What are you trying to communicate with your work? As an artist, musician, and performer my work is concerned with the possibilities of social engagement. Drawing on my early work in photography, my practice seeks to examine and assert the notion that art is never passive or static, but a constellation of systems and processes that determine, affirm, and condition our experiences. On account of this, my work is always political and is concerned as much with... [more]
Posted by The Artslant Team on 1/22
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The Informers: Ryan Steadman on Better Criticism Through Painting

by Bradley Rubenstein
In this series of interviews for ArtSlant, I wanted to talk to artists who are also involved in criticism or theory. There are any number of “crossovers” across creative and critical disciplines: Julian Schnabel is a painter and a filmmaker; Mel Bochner is a painter who has also been a good art reviewer.  However—using Barnett Newman, and more recently Mira Schor, as examples, as well as the quirky Robert Smithson’s dystopian fantasy world—I’d like to focus on artists who broaden their field... [more]
Posted by Bradley Rubenstein on 1/10
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No, Donald Trump Is Not a Conceptual Artist. And Border Walls Are Not “Land Art”

by Andrea Alessi
I read the press release three times back to back, looking for any hint of irony. Or even confirmation of sincerity. I parsed the website, hoping an “about” page or mission statement could set my bearings. What exactly is MAGA, the “non-profit arts organization” petitioning the U.S. Government to designate the eight border wall prototypes erected outside of San Diego a national monument? The eight prototypes, constructed by six firms and built using $3.3 million in federal funds, were... [more]
Posted by Andrea Alessi on 1/5
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UNDER THE RADAR: JANE SZABO | TATIANA GULENKINA | MASHA TROTZKY

by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Jane Szabo – Los Angeles Tatiana Gulenkina – Washington D.C. Masha Trotzky – Brussels   ArtSlant supports thousands of contemporary artists through our outreach and exposure programs—come join the best online arts community today! [more]
Posted by The Artslant Team
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In 2017, Artists Channeled Pessimism, But Weren’t Defeated

by Andrea Alessi
This summer Jill Lepore, writing for the , declared that we’re living in a “golden age for dystopian fiction.” She described a literature of “radical pessimism” and “submission” (in contrast, she wrote, to a literature of resistance). In an essay for Tin House author Allegra Hyde called for “literature that chases utopia” in the age of Trump. She urged her fellow writers: “Our trade is in rendering the unreal real. We are world builders, after all.” As ArtSlant’s resident pessimist, I’ll be... [more]
Posted by Andrea Alessi on 12/21/17
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The Traitorous Translator: Power and Representation in Transnational Discourse

by Pınar Üner Yılmaz
My memories of learning a second language date back to my post-elementary school years, what they call the prep-year, in a bilingual school in Turkey. From the first lesson, the struggle to communicate was real: our teacher, who was from Wales, spoke only English, and my class of ten Turkish-speaking students got by with dictionaries and gestures. For many of us in that classroom, and in Turkey more broadly, not knowing English was a failure—and it was something we had better remedy... [more]
Posted by Pınar Üner Yılmaz on 12/13/17
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Katya Grokhovsky Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? As a child, I had difficulty in expressing myself verbally, so I used drawing and movement as a way to display my vision to the world. I am still doing that today, utilizing my art to communicate the often invisible, absurd, grotesque, and difficult aspects of human experience as it pertains specifically to a female immigrant person, which is what I inhabit. I am interested in politics of protest to the prescribed notions of... [more]
Posted by The Artslant Team on 12/11/17
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Christopher Tavares Silva Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? I use the languages of visual art and sound because I’m attracted to their poetic and transformative potentials, and though I enjoy weaving in literal references and representations of things, I’m equally if not more interested in the ways that the pure physical energies of sound, color, and form communicate. It’s precisely because audio/visual languages operate more viscerally and strangely than words, that I continue to experiment... [more]
Posted by The Artslant Team on 12/4/17