Bigindicator

tagged: sculpture
20171117154653-1_6000_3000_300dpi

The Trouble with “Neighbors”: Ai Weiwei, the Istanbul Biennial, and Forced Migration

by Danyel Ferrari
Last month Public Art Fund in New York opened Ai Weiwei’s citywide exhibition, . The project entails steel, fence-like architectural interventions and large-scale banners depicting photographs of Syrian refugees from the artist’s time in Lesbos, Greece. The exhibition is not alone in its use of domestic language to address global issues of mass forced migration. The 15th Istanbul Biennial, which concluded last week and was curated by Danish-Norwegian artist duo Elmgreen & Dragset, took the... [more]
Posted by Danyel Ferrari on 11/18
20171116153944-20171031200101-consent_is_asking_every_time_condom

Under the Radar: Genevieve Goffman | Katrina Majkut | Sheelah Mahalath Bewley

by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Genevieve Goffman – Portland, OR Katrina Majkut – Brooklyn Sheelah Mahalath Bewley –... [more]
Posted by The Artslant Team on 11/18
20171101101408-img_3222_1340_c

Wednesday Web Artist of the Week: Tom Galle

by Christian Petersen
Belgian-born, New York-based Tom Galle is the epitome of the contemporary web artist. His work is saturated with the very essence of hyper-digital nowness. He has created an online persona that is at once supremely infatuated with and deeply questioning of the profound impact that the internet has had on all of our bodies and brains. Galle creates art that operates on two distinct levels: it is philosophical and political but also instant and accessible, effortlessly walking the line between... [more]
Posted by Christian Petersen on 11/1
20171030090832-20150331162827-08_haizel_kelvin

Kelvin Haizel Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? My current practice investigates the contemporary condition of the image. The body of work produced over the past two years allows the object-of-an-image to poke through the surface of the picture to assert its equality. And by so doing it rebels against its utilitarian service in the picture/object composite of the image sanctioned by the current norm.  What is an artist’s responsibility? To affectively use reason in the... [more]
Posted by The Artslant Team on 10/30
20171023071352-20170612171958-from_the_book_of_tao-_archival_masking_tape__fire_ressidue_and_black_wrap_foil-_sculpture_11_x_14_x_15_in__sheet_of_black_wrap_foil-_38_x_39

Keith O. Anderson Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? My attempt is to rewrite these familiar objects with new meaning and currency. What is an artist’s responsibility? To delve inward, outward, on a perilous journey, resurfacing to illuminate all that one has discovered, to solely bring attention to a higher purpose.   I brought a Pyramid from Egypt to our first meeting, 2017, Acrylic paint, cotton cloth napkins, china marker and mdf board.    Show us the... [more]
Posted by The Artslant Team on 10/23
20171020080929-_judy_chicago_addresses_a_gathering_of_volunteers_in_the_dinner_party_studio__ca

Ways of Seeing Judy Chicago’s “The Dinner Party”

by Sally Deskins
“My lifelong goal has been to overcome the erasure that has eclipsed the contributions of so many women,” said Judy Chicago on the occasion of two new exhibitions examining the production of her best-known work, The Dinner Party. These exhibitions, currently at the National Museum of Women in the Arts in Washington, D.C., and the Brooklyn Museum, uniquely present the seminal artwork in a now unfamiliar way, recalling the authentic grit of the feminist process, and the inclusive approach of its... [more]
Posted by Sally Deskins on 10/19
20171017130709-01

Refugee Artists Take Control of Their Representation in a New Exhibition

by Claudia Arozqueta and Rodrigo Azaola
“A piece of hell,” is how one refugee, stranded in legal limbo on the isolated Pacific island of Nauru, describes the situation. It’s a mild epithet for the ordeal that asylum seekers endure to achieve their right to not be persecuted or annihilated. Not since the Second World War has there been such a massive number of displaced people—the number is currently larger than the entire population of the United Kingdom. But we seldom hear or see these people individually, and even less often... [more]
Posted by Claudia Arozqueta and Rodrigo Azaola on 10/16
20171016125105-20140709145809-acsurga7_

Under the Radar: Patricia Fietta | Anne Cecile Surga | Danielle Brensinger

by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Patricia Fietta – New York   Anne Cecile Surga – New York Danielle Brensinger –... [more]
Posted by The Artslant Team on 10/16
20171016092023-20170802203941-img_9925

Aimee Gilmore Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? Even now while reflecting back, it is almost impossible to comprehend growing a human life inside me. Carrying her. Nurturing her. Protecting her. My body acclimated; my skin stretched, my womb expanded, my bones strengthened, my mind prepared. What you can only know after is that you will never actually be prepared. Other mothers don’t tell you the truth about labor. How can they? It is practically indescribable. It is a visceral... [more]
Posted by The Artslant Team on 10/16
20171009100553-piper_it_s_just_art_install__909_madison___lgg_piperinstall_082817_1960_

“It’s Just Art”: Adrian Piper and Rosemarie Trockel Question Art’s Ability to Affect Change

by Osman Can Yerebakan
A New York City native, Adrian Piper now lives in Berlin after her refusal to return to the States following her inclusion on a TSA “suspicious traveler” watch list in 2008; Rosemarie Trockel has lived in Germany her entire life. Cursory research suggests the artists’ affiliation goes little beyond a handful of group exhibitions they were featured in together. Despite the ostensive differences in their backgrounds and artistic practices, their current New York solo exhibitions, located a few... [more]
Posted by Osman Can Yerebakan on 10/9