Bigindicator

tagged: modernism
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Our Man in Berlin

by Christina Catherine Martinez
In a Marsden Hartley painting beats the dark heart of the twentieth century. The thin slice of globe-trotting work from 1913-1915 presaged some of the most ecstatic and iconic tropes to come. In a Marsden Hartley painting is the synthetic seed of Pollock’s urgency and John’s cool, detached symbology. Both men seemed to filch from Hartley’s rainbow palette, alternately whipped into creamy pastels or shot through with matte, inky blacks. The brief period straddling the outbreak of World War I... [more]
Posted by Christina Catherine Martinez on 8/30/14
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When art explores the fabric of matter. A studio visit with Amalia Del Ponte

by Federico Florian
It happened by chance. About two months ago I heard about the new donation of a work of art to the permanent collection of the Museum of XX Century Art in Milan: the piece was a sculpture by Italian artist Amalia Del Ponte. Her name was totally new to me. Curious, I peeked into her resume—some solo exhibitions in a few Milan galleries, especially in the 70s and the 80s, and the First Prize for Sculpture at the São Paulo Biennale in 1973. How do you feel?, the work acquired by the Museum of XX... [more]
Posted by Federico Florian on 7/28/14
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The Field Notes Aesthetic: Heidi Norton at the Elmhurst Art Museum

by Caroline Picard
Mies van der Rohe is such an historic presence. The aftershock of his innovation is still palpable, reflecting as it does the evolution of an “international style after World War II.” It is hard to imagine, therefore, how one might absorb his architecture into daily life—much less install an exhibition under one of his roofs. That is the challenge posed by the Elmhurst Art Museum, an institution that purchased van der Rohe’s prototype for suburban life, the McCormick House, in 1992.... [more]
Posted by Caroline Picard on 7/24/14
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Living Inside-Out

by Christina Catherine Martinez
A girl snaps her own photo in a dressing room, each mirror perfectly angled to show every surface at once. The back and sides are hanging out with the front; her eyes are multiplied to better see the new multitude of herself. She's peeled and spread out, projected onto the picture plane of her phone like those flattened globe maps that make the earth look like a bubbly 'M' scrawled on a middleschooler's notebook.   There's something almost folk-arty about it, isn't there? Depiction that... [more]
Posted by Christina Catherine Martinez on 5/21/14
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Secondary Perspective: An Interview with Ingo Mittelstaedt

by Stephanie Cristello
: If you venture up to the second floor of the Bode Museum in Berlin, tucked behind in a small exhibition space in one of the back rooms, you will see an unlikely product of history. The piece is relatively simple – a marble bust of the same scale you often find in museums, but it is clear that the statue has withstood a state of catastrophe. It is a damaged relic that was important enough to preserve, but is also far from the quality of the other pristinely conserved pieces that fill the rest... [more]
Posted by Stephanie Cristello on 1/5/14
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