tagged: mixed-media

To Be Bad Is Not to Be Good: Katya Grokhovsky’s Performance Art

by Alicia Eler
Other ArtSlant Prize IX catalogue essays: David Rios Ferreira & Sabato Visconti   Somewhere along the way, we lost it. Maybe it was the election, which ended in a sociopath Twitter addict becoming our president, or perhaps it was the exhaustion that followed. Or maybe it’s just dealing with the business of living. Sometimes it is hard to tell. Artist Katya Grokhovsky has been through it, and she’s come out the other side, but not in the way that you’d expect. Her discovery? A... [more]
Posted by Alicia Eler on 3/5

Creatures Like Us: The Drawings of David Rios Ferreira

by Jessica Lanay
Other ArtSlant Prize IX catalogue essays: Sabato Visconti & Katya Grokhovsky   The journeying lines that dominate David Rios Ferreira’s two-dimensional assemblage works, like an EKG reading or the longitudinal and latitudinal lines in a map, are enchanted with the force of their potential. Each vector loops, and builds, like a vine; they fall into one another’s paths, creating rich dimensions in each drawing. Forged together with cartoony shapes in vibrant colors, they create top... [more]
Posted by Jessica Lanay on 3/6

daàPo reo Answers 5 Questions

by The Artslant Team
We’re exhibiting two of daàPo’s riotous flag artworks this week in the ArtSlant Prize Exhibition, where the artist recieved an Honorable Mention. Come visit us in Times Square at SPRING/BREAK Art Show, March 6–12, booth 2231. Purchase tickets for the show here.   What are you trying to communicate with your work? For me, it’s about rendering the texture of an experience as closely as possible, much more so than the aesthetic aspect of the work itself. I mean, obviously, I’m... [more]
Posted by The Artslant Team on 3/5

Sylvia Sonique: An Analogue Artist at Home in the Digital World

by Christian Petersen
  The German collage artist Sylvia Sonique is not a typical web or digital artist. In fact, her work is almost defiantly analogue, obsessively created with real physical and emotional commitment from decidedly non-digital ephemera. But like many young artists, her artistic reach and status have expanded mainly though her interactions within digital space. Her work is represented wholly digitally and reflects an aesthetic whose natural home today is largely on the internet. Indeed,... [more]
Posted by Christian Petersen on 2/28

For the Culture: Towards Curating Black Art by Aesthetic, Not Struggle

by Jessica Lanay
Unlike recent major shows that are chronological surveys of Black art in the context of political upheaval and communal struggle, the exhibition centers the aesthetics, techniques, and innovation of its artists. Now at the August Wilson Center in Pittsburgh, the exhibition magnifies the interstices of the Black experience that push against the historical watersheds that have come to over-define Black life. The onus of Transformative Space is not to couch Black art as a mere reaction to... [more]
Posted by Jessica Lanay on 2/23

Portrait: Katie Stout Defies Genre with Her Touchable, Usable, Body Positive Artworks

by Freunde von Freunden x ArtSlant
Freunde von Freunden. In a vast warehouse in the Bed-Stuy neighborhood of Brooklyn, Katie Stout crafts couches out of various textiles and her signature Girl Lamps out of clay, celebrating womanhood with colors and textures in the form of functional pieces.                                                           Stout’s creative process is bold, experimental, and constantly evolving—during our studio visit she was feverishly finding a way to support a desk she was assembling out of... [more]
Posted by Freunde von Freunden x ArtSlant on 2/15

Genevieve Goffman Answers 5 Questions

by The Artslant Team
Genevieve Goffman.   What are you trying to communicate with your work? I demonstrate how narratives both outline the path of and frequently propel the distribution of power. How dominant power structures parabolize history, co-opt memory, and distort perceptions of current events. I am mildly obsessed with charting how states or political movements use memorialization as tool to manipulate communal memory and weaponize emotions. On the flip side, I’m also committed to highlighting... [more]
Posted by The Artslant Team on 1/29

Lauren C. Sudbrink Answers 5 Questions

by The Artslant Team
Lauren C. Sudbrink.   What are you trying to communicate with your work? As an artist, musician, and performer my work is concerned with the possibilities of social engagement. Drawing on my early work in photography, my practice seeks to examine and assert the notion that art is never passive or static, but a constellation of systems and processes that determine, affirm, and condition our experiences. On account of this, my work is always political and is concerned as much with... [more]
Posted by The Artslant Team on 1/22

Katrina Majkut Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? At first, I wanted to push the medium of embroidery itself by incorporating observational painting and freeform techniques. This enabled me to challenge notions of fine art as they relate to stereotypical “domestic crafts.” Simultaneously, in researching for my book, The Adventures and Discoveries of a Feminist Bride, I started to understand how social traditions embedded with obsolete gender roles influenced both social, domestic... [more]
Posted by The Artslant Team on 1/15


by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Jane Szabo – Los Angeles Tatiana Gulenkina – Washington D.C. Masha Trotzky – Brussels   ArtSlant supports thousands of contemporary artists through our outreach and exposure programs—come join the best online arts community today! [more]
Posted by The Artslant Team