tagged: installation

The Marginal Labor Left for Humans: Brett Wallace’s AMAZING INDUSTRIES

by Joel Kuennen
SPRING/BREAK Art Show 2018, more than 100 curators will feature artists and exhibitions that consider the theme: Stranger Comes to Town. It’s been said that all great literature boils down to one of two stories: a hero goes on a journey or a stranger comes to town. “Who and what is this Stranger?” ask SPRING/BREAK curators and founders, Ambre Kelly and Andrew Gori. “Is their travel into the unknown always an act of heroism to some, of colonialism or contamination and infiltration to... [more]
Posted by Joel Kuennen on 3/6

The ArtSlant Prize IX at SPRING/BREAK Art Show, March 6–12

by The Artslant Team
    The ArtSlant Prize IX Winners Exhibition David Rios Ferreira, Sabato Visconti, Katya Grokhovsky, daàPo reo SPRING/BREAK Art Show Booth #2231 March 6–12 March 6: Collectors Preview 11am–5pm, Press Preview 3–5pm, Opening Night 5–9pm March 7–12: 11am–6pm 4 Times Square, Entrance at 144 West 43rd Street RSVP here Purchase tickets... [more]
Posted by The Artslant Team on 3/5

To Be Bad Is Not to Be Good: Katya Grokhovsky’s Performance Art

by Alicia Eler
Other ArtSlant Prize IX catalogue essays: David Rios Ferreira & Sabato Visconti   Somewhere along the way, we lost it. Maybe it was the election, which ended in a sociopath Twitter addict becoming our president, or perhaps it was the exhaustion that followed. Or maybe it’s just dealing with the business of living. Sometimes it is hard to tell. Artist Katya Grokhovsky has been through it, and she’s come out the other side, but not in the way that you’d expect. Her discovery? A... [more]
Posted by Alicia Eler on 3/5

Katrina Majkut Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? At first, I wanted to push the medium of embroidery itself by incorporating observational painting and freeform techniques. This enabled me to challenge notions of fine art as they relate to stereotypical “domestic crafts.” Simultaneously, in researching for my book, The Adventures and Discoveries of a Feminist Bride, I started to understand how social traditions embedded with obsolete gender roles influenced both social, domestic... [more]
Posted by The Artslant Team on 1/15


by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Jane Szabo – Los Angeles Tatiana Gulenkina – Washington D.C. Masha Trotzky – Brussels   ArtSlant supports thousands of contemporary artists through our outreach and exposure programs—come join the best online arts community today! [more]
Posted by The Artslant Team

In 2017, Artists Channeled Pessimism, But Weren’t Defeated

by Andrea Alessi
This summer Jill Lepore, writing for the , declared that we’re living in a “golden age for dystopian fiction.” She described a literature of “radical pessimism” and “submission” (in contrast, she wrote, to a literature of resistance). In an essay for Tin House author Allegra Hyde called for “literature that chases utopia” in the age of Trump. She urged her fellow writers: “Our trade is in rendering the unreal real. We are world builders, after all.” As ArtSlant’s resident pessimist, I’ll be... [more]
Posted by Andrea Alessi on 12/21/17

What’s Missing from the World’s Largest Street Art Museum? A Local Perspective

by Nadja Sayej
Since the Urban Nation Museum for Urban Contemporary Art opened in Berlin this fall, it has already seen thousands of visitors. Placed inside of a pre-war apartment building in the sleepy neighborhood of Schöneberg, the museum is easy to spot—it’s painted from top to bottom in colorful murals with the words “UNique, UNited, UNstoppable” wrapping around the front of the building. The museum currently hosts new artworks on canvas by some 100 artists, as well as digital prints and sculptures,... [more]
Posted by Nadja Sayej on 12/20/17

The Traitorous Translator: Power and Representation in Transnational Discourse

by Pınar Üner Yılmaz
My memories of learning a second language date back to my post-elementary school years, what they call the prep-year, in a bilingual school in Turkey. From the first lesson, the struggle to communicate was real: our teacher, who was from Wales, spoke only English, and my class of ten Turkish-speaking students got by with dictionaries and gestures. For many of us in that classroom, and in Turkey more broadly, not knowing English was a failure—and it was something we had better remedy... [more]
Posted by Pınar Üner Yılmaz on 12/13/17

Katya Grokhovsky Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? As a child, I had difficulty in expressing myself verbally, so I used drawing and movement as a way to display my vision to the world. I am still doing that today, utilizing my art to communicate the often invisible, absurd, grotesque, and difficult aspects of human experience as it pertains specifically to a female immigrant person, which is what I inhabit. I am interested in politics of protest to the prescribed notions of... [more]
Posted by The Artslant Team on 12/11/17

Christopher Tavares Silva Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? I use the languages of visual art and sound because I’m attracted to their poetic and transformative potentials, and though I enjoy weaving in literal references and representations of things, I’m equally if not more interested in the ways that the pure physical energies of sound, color, and form communicate. It’s precisely because audio/visual languages operate more viscerally and strangely than words, that I continue to experiment... [more]
Posted by The Artslant Team on 12/4/17