Bigindicator

tagged: installation
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Denise Treizman Answers 5 Questions

by The Artslant Team
 Denise Treizman.   What are you trying to communicate with your work? Using materials that we encounter in our everyday life, I am trying to make the viewer shift his perspective, even if for a short moment in time. I am hoping I can open a door that encourages the audience to see things in a different way and appreciate the beauty embedded in simple gestures and materials. I want to challenge their preconceived perceptions about what can and cannot be considered an artwork, as well... [more]
Posted by The Artslant Team on 6/19
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40 Years On, Skulptur Projekte Münster Keeps Troubling the Idea of “Public Space”

by Benjamin Busch
Distinct from the droves of international biennales and triennials birthed in recent decades, the Skulptur Projekte Münster (Sculpture Projects Münster) sets itself apart as an unparalleled cultural moment once every 10 years that places strong emphasis on site-specificity and encourages long-term artistic study. The decennial’s first edition in 1977, curated by Klaus Bussmann and Kasper König, sparked controversy by radically implanting works of renowned sculptors in Münster’s conservative... [more]
Posted by Benjamin Busch on 6/15
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David Hannon Answers 5 Questions

by The Artslant Team
 David Hannon.   What are you trying to communicate with your work? I am exploring the role of fantasy in queerness and perversions of the body. The interiors I create are a disorienting place that reveals the horror of the everyday. In my most recent performance, Mantle, I made an immersive installation and embedded myself in a flat and then interacted with the audience to help me bring an oversize necklace back into a constructed domestic interior where the necklace unsettlingly... [more]
Posted by The Artslant Team on 6/12
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Art World Irreverence Meets Cultural Politics in AVAF’s Self-Appropriating “Re-Transpective”

by Neil Vazquez
Eli Sudbrack isn’t your typical art world denizen. One half of the collective assume vivid astro focus (or AVAF for short), the Brazilian-born Sudbrack currently splits his time between New York and his adopted hometown of São Paulo, where he crafts work at the intersection of pop culture, queer, and net aesthetics, all with an anti-establishment sensibility. Art world punk rockers, assume vivid astro focus have collaborated with the likes of Lady Gaga and Rei Kawakubo of Comme des Garçons,... [more]
Posted by Neil Vazquez on 6/9
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A Body in Crisis: Can the Aesthetics of Horror Embody Fear?

by Stephanie Cristello
The affliction of horror is an experience both embodied and detached. White washes over your face, the blood rushes from your cheeks toward more essential functions. Capillaries constrict, drawing what they can spare. Your body hollows. Fear is rooted in uncertainty, but its sensation is a bodily affliction as much as a mental one. Entire markets have been built on its replication, assimilation, and distribution. To feel horror is unbearable, but to experience its aesthetized and familiar... [more]
Posted by Stephanie Cristello on 6/6
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Simon Birch’s 14th Factory Mirrors the Decline of Globalization

by Joel Kuennen
As the European Union signals its distancing from a seven-decade transatlantic alliance, as the United States joins Nicaragua and Syria as the only other nations to demure from the Paris Climate Agreement, as a realignment of global hegemonies occurs before our eyes, there is no better time to reflect on the narrative of globalization. , a warehouse-sized installation currently open in Los Angeles, is the culmination of a life’s work for Simon Birch. A Brit, transplanted to Hong Kong for the... [more]
Posted by Joel Kuennen on 5/31
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Galleries Representing Felix Gonzalez-Torres Are Editing HIV/AIDS from His Legacy: It Needs to Stop

by DARREN JONES
There is no artist more synonymous with the poignancy, wistfulness and desolation of art made within the crucible of the HIV/AIDS crisis than Felix Gonzalez-Torres (1957–1996). Within the maelstrom of that government-sponsored holocaust, his experience of it, and its effects on his communities, he created work of such melancholic grandeur and romantic sorrow, that decades later—even among the relentless torrents of the art world’s digital age—his legacy remains a touchstone of unsurpassed,... [more]
Posted by DARREN JONES on 5/29
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Naira Mushtaq Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? My work is a study of relationship between a found object and the emotion it evokes, leading to narratives in a different space. My specific interest lies in the deconstruction and re-framing of vernacular photographs. In working with these, I have found how essentially similar family structures are across cultures. Family albums have disappeared with the advent of digital photography; these fragile prints inadvertently document... [more]
Posted by The Artslant Team on 5/15
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Announcing: ArtSlant Prize IX Round 3 Juried Winners!

by The Artslant Team
Check out the Round 3 Juried Winners! Round 4 is now open! Apply today for your chance at $5k in prizes! To apply, go to your ArtSlant profile and click enter contest.   Round 3 Jurors: Miguel Leal Rios is the director and curator of the Leal Rios Foundation | Contemporary Art. Junho Lee is the Director of the NARS Foundation. Kerry Doran is a writer, editor, and curator based in New York. She is the director at Postmasters Gallery.   Round 3 Juried... [more]
Posted by The Artslant Team on 4/24
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Anicka Yi: Life is Cheap

by Joel Kuennen
Anicka Yi, the recipient of the 2016 Hugo Boss Prize, opened consisting of three works, Lifestyle Wars, Immigrant Caucus, and Force Majeure, at the Guggenheim on April 21, 2017. The exhibition title is one part indictment, one part plea. “Life is cheap” is usually said with a quiet lilt; eyes down, a slight shake of the head. The disgust is projected both outward and inward. It’s a gesture of shame. But Yi hints at perhaps another invocation of the saying—that life is in fact cheap and easy... [more]
Posted by Joel Kuennen on 4/21