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tagged: Patti Smith
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Ai Weiwei and Joan Baez Receive Amnesty International Honor

by Nadja Sayej
For the first time, Amnesty International awarded their annual Ambassador of Conscience Award to a visual artist. Ai Weiwei received the international honor, which was presented at an award ceremony Thursday night at the Berliner Festspiele in Berlin, in absentia. The artist can’t leave China, being under government surveillance and having his passport revoked. In place, he designated London’s Tate Modern curator Chris Dercon to accept the award on his behalf. The award is devoted to human... [more]
Posted by Nadja Sayej on 5/23/15
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Why Patti Loves Paris and Paris Loves Patti

by James Loks
Patti loves Paris and Paris loves Patti, and the question that I’d ask is why? Now right at the beginning, up front, I need to make a few things clear. First, let me state that this relates to our FIAC coverage because Patti is performing at the most sought after, and possibly the only gig to feature as part of the FIAC programme. It's a reunion with John Cale, on Thursday night, at Fondation Cartier. Since this hardly seems sufficient to qualify my bold assertion I’ll also add that in 2005... [more]
Posted by James Loks on 10/23/14
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An art festival salutes Rockaway! resilience

by Allyson Parker
Last weekend Rockaway Beach’s Fort Tilden opened its gates to a crowd of art connoisseurs, local creatives, and bronzed beach goers for a day of art and activism supporting Rockaway Beach. The Rockaway Artists Alliance and the National Parks Service hosted the hordes of art lovers who came to witness the opening of the site specific art installations (on view through September 1st), a free open-air performance by rock legend Patti Smith, and a Walt Whitman poetry reading by hipster heartthrob,... [more]
Posted by Allyson Parker on 7/5/14
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Mapplethorpe: Very Eighties

by James Loks
At a certain point as I was walking around the Mapplethorpe exhibition I thought, “You know something? I really don’t like Robert Mapplethorpe.” This was during the first half of the show where most of the work was in his "nude portraiture" mode. I mean, I can appreciate the formality of it all—the lines and triangles, neat, original compositions, the sculptural references. But there’s just something in the gelatin-silver-shininess of it; it all seems too slick, too polished, and too... [more]
Posted by James Loks on 4/21/14
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