Bigindicator

tagged: American art
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America Is Hard to See, But Could Performance Offer the Clearest Lens?

by Joe Bucciero
For five days New York-based saxophonist and multimedia artist Matana Roberts took over the Whitney’s third-floor theater for the latest installment of , her “extended research residency”-cum-performance, situated as a response to the Whitney’s inaugural exhibition, America Is Hard to See. “America is hard to see” compels us to look, to try to understand the complexities of America’s visual history; “I call America,” meanwhile, establishes an agent, compelling us to act. Understanding requires... [more]
Posted by Joe Bucciero on 8/13/15
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If You Build It, They Will Come: The Inauguration of a New Era at the Whitney

by Andrea Zlotowitz
Picture this: on a sunny day, you are walking through the meatpacking district in Downtown Manhattan. You walk down the cobblestone streets, passing the high-end clothing stores; you pass the Standard Hotel and stumble upon the foot of the High Line.   As you approach Gansevoort Street, you notice a new building that doesn’t look like the others: bordering the West Side Highway, you walk towards this large, strikingly asymmetrical building and are dumbfounded by the pure magnitude of its... [more]
Posted by Andrea Zlotowitz on 4/24/15
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Brand America

by Philippa Snow
In March, announced that both Jeff Koons and Cindy Sherman would be creating new series of work for placement in various international American Embassies; in corporate terms, this is like being asked to make a contribution to the décor of the global headquarters of Brand America, and the announcement is of note to me personally because a) I genuinely enjoy the work of Cindy Sherman, b) I enjoy the aesthetics of Brand America from a largely kitsch perspective, and c) I am now committed to... [more]
Posted by Philippa Snow on 4/17/15
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Younger Americans at Driscoll Babcock

by Ryan Wong
Driscoll Babcock, which moved to Chelsea two years ago, is something like a stately townhouse in a row of beige suburban mansions. The gallery bills itself as the oldest in New York, and casts itself in a grand tradition of the city’s academic art. You don’t find sly, discreet conceptual gestures, nor massive, high-production-value installations. Instead, the gallery seems to look for untrendy, well-crafted works in a certain American tradition—their roster includes works from the estates of... [more]
Posted by Ryan Wong on 8/5/14