the flower and her inner focus

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The Flower and Her Inner Focus 3, 2013 Acrylic Paint, Graphite, Colored Pencil On Paper 53 X 53” © Courtesy of the artist & Feature Inc
the flower and her inner focus

131 Allen Street
New York, NY 10002
November 21st, 2013 - December 22nd, 2013

Summer hours: Tue – Sat 12 – 6


For me, in a strange way, decoration has to do with making connections. That’s why I fill in spaces in between: to dissolve opposition. To be overwhelmed by nature is to dissolve into a bigger whole. It is an inclusive situation, which for me is the same as a domestic situation.
Inviting strangers into your house can create complications. It is the same with ideas: to be open to new information also creates complications. I have always been suspicious of purity. Purity discriminates. Purity is about exclusion rather than inclusion. When one is open to guests and new ideas, it interrupts one’s autonomy. I like that thought. I want to promote hospitality.
I don’t think anybody is entirely male or entirely female. Maybe that is why I like gradients—one thing bleeding into another thing. When I was young I sometimes felt more like a male; when I had my children I became more female. Now, with menopause, I am more male again. I love this element of change.
I believe things should be allowed to mix. After I had my daughter I became more interested than ever in the images that she would see in her lifetime. I was shocked by how one-dimensional images of women still are in our culture. I call that visual loneliness. I think femininity still deserves and needs to be visualized from more perspectives. I would like to fill in these gaps in our visual information.—Kinke Kooi, November 2013